Mending Techniques to Save Your Family Thousands of Dollars a Year

Handing holding cash and coin money over purple and pink quilting fabrics sewing within your means illustration
Princess YellowBelly Designs logo

Today I’d like to take a quick break from our regularly scheduled program and show you how you can make your sewing machine pay for itself hundreds of times over with a few simple mending techniques.  Because I’m such a genius and so incredibly quick on the uptake (check it out, I’m winking), it didn’t take me any time at all after I married Michael to realize that I was going to have to learn to mend – and to do it well. 

Practical Ways to Save Money with Your Sewing Machine– Mending Techniques Edition

At the time Michael was ranching; consequently he came into frequent contact with objects that were hard, unyielding and sharp.  And since Michael is 6’6” tall, it was also incredibly difficult (at that time) to find clothes to fit him.  It was either learn to mend or spend thousands of dollars on clothes for him alone. 

And once the kids showed up – anyone with children knows that they are ground zero for holes and tears – the ability to mend became even more urgent.  Over the years I learned numerous tips and tricks that’ll help stretch your clothing budget farther than the most elastic bungee cord.

Mending Tips

Using these tips will help you make your sewing machine pay for itself, many times over.

Use matching thread when you mend anything!

This one thing alone will make approximately 90% of your mending disappear into the woodwork and people will never see it.  I used to be too tired, lazy etc. to do this, thinking that it wouldn’t matter and then forever after it’d scream ‘bad mending job!!!

So I finally decided to take the extra time and effort to change my thread as often as needed to keep my mending ‘mostly’ invisible.

This is easy to do if you already quilt and have a nice stash of thread available to you.  It’s amazing that 99% of the time I have the exact color and shade I need.  If you don’t have a large stash of thread colors, try to get a good denim and the primary colors covered. 

cream thread against an autumn table runner

Mend from the inside. 

If you want to mend invisibly then you have to do it from the inside of a garment.  It’s much harder to see a single line of stitching around a patch on a pair of jeans when the patch is in the inside of the garment than it is to see the entire patch if you sew it onto the outside of the jeans – especially if you’re using matching thread.

If you’re putting a patch on anywhere – inside or out – edge finish it first. 

This mending technique corrals all the frays and makes the patch look much more professional, like you actually planned to put that patch just there all along.  Also, if the patch is on the inside the frays won’t tickle you to death.

multiple size sewing needles

Use the right size needle when you mend. 

If you use the most common size needle – size 14 – to try to mend a chiffon or silk garment you will get big holes everywhere and the garment will get caught up in the feed dogs by the too heavy needle.  If you use a size 14 needle when you’re mending jeans, your needle will break.  So stock the entire spectrum of needle sizes and change them around as needed.

Don’t shy away from hand mending. 

There are a lot of instances where mending by hand is not only the most invisible choice, but there are places where even a sewing machine cannot easily go. Just like sewing machine needles, you will need a variety of different sizes, so invest in a multiple-sized pack.

Remember the old adage – a stitch in time saves nine. 

This is as true today as when the phrase was coined.  As soon as you notice a hole anywhere, a missing button, a catching zipper, etc. train yourself and your family to put that garment straight onto the mending pile. 

Even if it takes you awhile to get to your mending, at least the damage will not be getting any worse.

A needle sticking into the seamstress's finger - one of the consequences of sewing dangerously

Save up your mending until there are at least 3 things in your pile. 

Then, when the mending mood strikes you will have a few things to work on.  I get really frustrated if I have to fix one thing every time before I can start on my quilting project, which is what I really want to do.

Consider who you are mending a garment for. 

If it’s for Michael I will go to great lengths to fix something because, like I said, it’s hard finding clothes for him and the cost is quite high.  If it’s a t-shirt for a 2 year old, depending on how bad it is, I might just chuck it because they’ll outgrow it in no time and you can replace it from the thrift store for 75 cents. 

I don’t know about you, but I’m worth more than 75 cents/hour.

Consider fabric glue as a mending medium. 

Not everything needs to be sewn.  Suzanna has a favorite skirt that’s in perfect shape.  It’s the chiffon overskirt that’s developing a few holes and since it’s such light fabric as well as almost sheer any stitching will glare out.  So I glued the holes!  The glue dries invisibly and Bob’s your uncle!  So give that option a think.

Corralling clutter with plastic tubs

Keep a mending stash. 

By this I mean anything that’ll help make mending work better and faster:

  • A button box
  • An extra zipper container
  • Zippers cut out of old jackets
  • Still good pieces you cut out of otherwise worn out jeans
  • Old t-shirts
  • Curtains that are too faded to use (but the fabric’s still good, so why not use it to mend holes in shirts?)

I use all of these things to mend other stuff – no need to waste perfectly good mending materials.  The basic mending technique to use in building your mending stash is the basic Salvagers Mindset.

piece of blue jean material with patch suggestions for better mending techniques

Whenever you’re going to throw out any garment, go over it and cut out anything you think you might could use to mend something else. 

I make patches for jeans from the let-over pant legs of old jeans, I cut out any good zippers and rip off all buttons, trim, etc. before I throw anything away.  So, whenever I need a patch, I usually have what I need in my stash. 

It will save you from my #1 big mistake. 

Suzanna needed a new zipper in her green skirt and search as I might, I could not find a matching colored zipper in any store anywhere! So, finally I ordered one off the internet and when it came, not only was it the wrong color (lime green sludge) but I got 50 of them!!!  I ended up using a beige zipper I already had. 

Building Your Mending Stash Saves $$$

While you’re doing that, keep tuned for the next article, where I’ll share more hands-on mending techniques on various tricky garments, like jeans!

To the greater good of your quiltivity,

Karyl (aka Princess YellowBelly)

P.S. When Mending Techniques Become Quilting Aids

Oftentimes as my quilting has grown to consume 85-90% of my sewing life I’ve found that many of the things I save for mending are also useful and usable in fabric art quilt projects. 

specialty ribbons
  • Buttons
  • Beads
  • Bows
  • Trim
  • Jean patches
  • And flowery materials

Are all remarkably useful in making quilts just a little bit more special.  The only thing I haven’t been able to cross-purpose so far are zippers (the devil’s spawn!) and you never know…

The journey continues with a few more practical methods.

What Does “PYB” Really Stand For?

Princess YellowBelly Designs logo and question who am I really?
Princess YellowBelly Designs logo

Have you ever noticed that human beings are a tad lazy?  I have.  Mostly my son when I want him to vacuum the living room – but I’ve observed it in a few others.  Even myself from time-to-time, if you can believe it.

I’m convinced that the fine art of procrastination was where the acronym first came from. 

For one thing, it wasn’t two days after my daughters and I had come up with the name “Princess YellowBelly Designs” for our new fabric art and quilting endeavor that we were saying “PYB.”

By now we’re so used to our little pet name that we almost never bother to use the real name for our own business – and we’d almost forgotten that “PYB” might possibly stand for some other things. 

Can you think of any? 

PYB On Everything, Hold the Designs

It was; “have you opened a hosting account for PYB?”  Or, “I think we should make a PYB Facebook.” 

At first we nobly kept to “Princess YellowBelly” in public.  But, by the time we opened for business we’d already shortened the URL to www.pybdesigns.com, I mean – who’s got the time to type the other URL: www.princessyellowbellydesigns.com into anything?  Not me, that’s for sure. 

Designs has gotten more than a little misplaced in all this acronyming – which is fine. 

But, the other day, Suzanna was talking to some friends, and she apparently said something “for PYB.”  

“What’s PYB?” one friend, who’d forgotten the details, asked.  Venkat, another of Suzanna’s friends and a newsletter subscriber, knew the right answer – but supplied a more interesting one:

Peanut Yogurt Bread,” he promptly replied. 

Please Share Your Procastination Interpretation

So here’s our latest challenge to you lovely readers (and subscribers):

Come up with your own fun take on our (in)famous PYB acronym.

It can be anything you like (as long as it’s not inappropriate).  We’d love to hear it.  Just fill in the quick little form below, and you’ll be on your way to sharing what “PYB” could be designing in another life!

If your answer tickles our fancy, we’ll be sharing it over the next weeks on Facebook and in our newsletter. 

So sign-up, follow, do whatever it is you’ve gotta do – and please, leave your favorite “PYB” acronym for our delight.

To the greater good of your Quiltivity,

Karyl (aka Princess YellowBelly)

Princess YellowBelly Designs logo and question who am I really?

How to Decorate for Christmas with Quilts

Night star table topper decorated with lights
Princess YellowBelly Designs logo

It’s December – again!  How’d that happen?  We’ve got to start baking, stringing bright lights, and decorating.  Of course, that brings up a good question; “how to decorate for Christmas?”  We’ve all be decorating for Christmas for years, and sometimes it can feel a little like we’re doing the same things over and over again. 

We want to be able to keep Christmas bright and fresh for our families, so we can keep creating those warm connections with everyone – but how many yards of tinsel can you string? 

Well, allow me to suggest a new way to decorate for Christmas with quilts!

Why Christmas Decorations Mean So Much

At first glance Christmas decorations don’t seem like such a much.  After all, the real meaning of Christmas isn’t about trees and tinsel. 

On a deeper level decorations are very important, however, because they help keep the spirit and magic of Christmas alive. 

Warmth, Memory, Tradition

  • Bright lights
  • Sparkly tinsel
  • Big trees
  • And wrapped presents

Are all a part of the glorious golden dream that we keep in hearts year-to-year.  The two things that makes Christmas so special to so many are the emotions and the memories. 

This is why we have traditions – for the memories that they produce.  Good feelings in the moment make for good memories lead to lasting good emotions.  We all use traditions to produce this one/two punch because in the end:

‘Good memories are all that matters!’

Think about the memories you have of Christmases growing up and which ones brought you joy.  They are invariably the ones that make you feel at home; where you are cozy, safe and happy. 

This eternal home is the place we want to create for our friends and loved ones. 

The Norman Rockwell Argument to Decorate for Christmas with Quilts

NOTHING says love, home and warmth like a quilted something.  A full bed quilt, a wall hanging, a pot holder, really anything that’s been quilted carries with it a feeling of being homemade, of having been crafted with love.

It instantly throws people here in North America straight back into a Norman Rockwell painting. 

Norman Rockwell was so popular because he painted the magic and longing for love and home into his works of art (never mind that the reality was quite different) and you can achieve the same effect with your quilted creations. 

Christmas Delivery - Christmas small wall hanging, what a completed project of a fabric panel for quilting looks like - close-up of an added fairy on a new poinsettia flower

Young children especially long for the magic, mystery and warmth that Christmas should bring and the good news is that you don’t have to spend a great deal of time or money to achieve this. 

While presents are exciting in the moment, children will quickly forget what they got for Christmas. What seeps into their hearts and bones is the emotions and love that come with it.  If you have ever watched that greatest of Christmas movies ‘A Christmas Story’ you will know what I mean.

When Less Is More

However, most of us don’t have the time and resources to do wall-to-wall decorating like you see in those Hallmark Christmas movies. 

And really, in some ways that kind of decorating – while visually pleasing – is kind of cold.  It’s so perfect it’s unbelievable, and it doesn’t spark the same feelings of warmth that you get from Grandma’s hand-crocheted tea cozies.

So, less can and often is more.  You can do a lot with a single tree and a few well-chosen and beautiful smaller pieces that are a part of your family tradition, or tie into your tradition in some way.

 With homemade Christmas panels and decorations this is very easy to achieve.

6 Easy Ways to Use Quilted Items to Decorate for Christmas

I always like to do things as quickly and simply as possible.  So I have for you here my top six tips for using quilted items to help bring the magic of Christmas right into your home. 

Away in a Manger Christmas decorated wall art

#1 – Start with a wall that is a focal point in your house.

At my place, it’s one of my dining room walls.  Here I hang my favorite large piece of Christmassy fabric art that I have.  Sometimes it’s a panel, sometimes a lap quilt, sometimes a large quilt. 

It draws all eyes and the fact that the piece is Christmas themed instantly kicks the Norman Rockwell response into effect.  

Christmas quilts - how to decorate for Christmas with fabric art

#2 – Use as many Christmas pieces as possible in the main areas.

If you have more than one Christmas themed item, find similar places around the living areas of your house to display them. 

I ignore all private areas such as bedrooms and offices, because who ever looks in there anyway.

Rustic Christmas table topper holds its shape so well because of quilting foam

#3 – Don’t overlook the small stuff.

Remember that your Christmas fabric art pieces can range from the very small – such as potholders – to the largest of quilts, and that a little goes a long way.  

Some years I put out a lot of stuff, some years I only put out the staples, but I always try to make sure that there’s at least one bright spot of Christmas color in every main area of the house.  No one’s ever complained! 

Night star table topper decorated with lights

#4 – Light it up!

I love Christmas lights!!! (It’s entirely possible that I love the lights more than the quilts, but we’ll leave it as a rumor).

Rather than have it look as though Christmas vomited in your house, maximize the homey and cozy effect of your fabric art pieces by adding lights around them.  They instantly bring warmth and magic to your home.  Use them judiciously – you don’t want to overwhelm and blind people with them, but do use them. 

Close up of antique button and bead work on Christmas bells

#5 – Always remember that the personal connection is vastly more important that technical perfection when it comes to making good memories.

Make great memories by having your children help you make Christmas decorations that will last, such as placemats, candle holders, fabric wreaths, etc.

You can purchase the wire wreaths at any craft store such as Michael’s, Hobby Lobby, or Joann’s.  Then all you have to do is cut strips of Christmassy fabric 6”long by 1½” wide and double-knot each strip around the wire rims.  It’s easy, quick, and looks fabulous and will live in your family’s hearts much longer than a store-bought wreath.

For years I bought Christmas ornament kits from Herrschners and the kids and I would spend hours constructing them.  All these years later, they are still the favorite ornaments on our tree.

You can also make some of the easier kits and patterns in our store in a Christmas style with kids, or make the more advanced level ones as gifts – so be sure to check it out!

Night Star Table Topper Decorating for Christmas with candy bowl

#6 – Think outside the normal “usage” box

Put placemats, potholders and table runners in places and on surfaces where they don’t usually go.  This makes people look twice, gives you a lot more scope for the imagination, and gives you much more land for showcasing your talent; and let’s be frank here, which one of us doesn’t enjoy being admired for our talent and creativity! 

Enjoy!

Using your own works of fabric art to decorate for the holidays will not only make your home unique and memorable, but it will bring those elusive positive emotions of joy, warmth, safety, and magic with it.   

All the best to you and yours this holiday season! 

Karyl (aka Princess YellowBelly)

P.S.

If you’d like to share pictures of how you decorate for Christmas with us you can do so privately by emailing me directly – or share publicly on our Facebook page. 

And don’t forget to subscribe – FREE – to our fortnightly newsletter so you can stay up-to-date with all the latest news, tips, pictures, and products.

Seam Ripper Championship: How We Set Out to Capture Classical Taj Mahal Architecture…And Ended Up With Cow Udders!

Taj Mahal sandral arch and cow udders for tiger quilt
A knight kneels, holding a seam ripper, before Princess YellowBelly to receive the Seam Ripper Championship for a fracture nightmare

Hello again fellow explorers in the world of quiltivity! Welcome to another issue of “Seam Ripper Championships;” this week featuring how we managed to turn the amazing and beautiful architecture of the one-and-only Taj Mahal into fabric cow udders.  

Deep sigh. 

You know, every time I start a new project: 

The Magic Seam Ripper Formula
  1. I map it out in my head
  2. I remember all the lessons from my previous seam ripper championship entries
  3. I shake my finger at the seam ripper and say “not this time, ducky!”
  4. Then, sooner or later, I scream loudly and start all over again.  

I haven’t written in quite a while because I’ve been exploring around my tiger quilt, and navigating this cat has turned out to be as difficult as escaping a jungle without a guide or a compass!  

And the kicker of it is, it doesn’t even look all that difficult.  

This was the vision – not that hard…right?

Shere Khan – Ruler of the Taj Mahal

Of course you all know that when you watch a professional perform they make the almost impossible appear effortless, what they’re truly showcasing is the thousands of hours of practice and dedication that they have put into perfecting their craft.  I choose to believe that my tiger quilt ‘Shere Khan’ is in this same league. 

Shere Khan tiger quilt without borders

The latest disaster – oops- I mean, the latest architectural design element that falls into this category is the Sandral Border that Suzanna decided would finish off our jungle cat in a jungle temple theme beautifully.  

I’ve always been fascinated by the singular beauty and majesty of the Taj Mahal.  It’s one of the wonders of the world for many reasons.  Not only is it a perfect and stunning design, completed so perfectly that it stands almost unaltered (except for certain plundering) to this day, but it stands at the center of a rich and multi-textured history.  Both I and my children spent many long hours studying the stories of the amazing men and women of India whose lives touched the Taj Mahal.

When we wanted to evoke a “ruined temple” effect for “Shere Khan,” it only seemed natural to draw inspiration from THE Taj Mahal.

The Best Laid Plans of Mice, Men, and Seamstresses 

So we googled Taj Mahal architectural designs and decided that the sandral shape would be perfect for the border.  

I made a template out of plastic, and because we wanted each sandral to showcase itself, we left a space between the bottoms of each arch.  Which looked a lot like the original design of those signature arched doors and windows.

When I traced this design onto batting it looked perfectly fine, simple and elegant.  Suzanna and I were both thrilled with our creativity! 

Disaster Strikes!

It was only after I had: 

  • Sewn my first long border with these shapes
  • Trimmed all the edges
  • Turned the entire border right-side-out
  • Pushed out all of the corners 
  • And pressed it 

That it became apparent that our beautiful, elegant sandral arches had morphed into cow udders!  

 I felt sick!!!  

Not only had I spent all that time and energy, but since I had used 2 layers of batting and high dollar backing and front fabric, I was out quite a bit of money.  And using my heavy scissors to trim all around that long border had left my hand half dead.  

Sometimes the Best Projects Require the Most Dedication

This is exactly how this entire quilt has gone!!  I can honestly tell you that I was ready to throw the entire project into the trash.  

But, Suzanna calmed me down and after a few days of detoxing, we decided to try it again, this time bringing both of the bottom edges into one point.  It worked beautifully, and I’ve decided to keep my strip of cow udders as a memento of a fantastically funny failure.  Also, I’m using pieces of it to practice quilting with new threads and designs before I place the entire quilt into my machine.  

So all is not lost!

And “Shere Khan” is a stunning quilt.  Thanks to a new disaster (this time sewing machine mechanical problems that I don’t want to talk about), we still haven’t been able to attach the final border and call it finished, but I think when we do it’ll all have been worth it.  

See – it’s worth it!

Some projects are fun, some are challenging, some will push you to the absolute limits of your endurance and sanity.  But, somewhere in the midst of all that mess – and, yes, the cow udder architecture – lie the seeds of greatness. (I’m not entirely convinced that there weren’t a few disasters during the building of the original Taj Mahal.  I mean, look at it!  It’s too stunningly perfect for a few flaws not to have been wiped clean by a master craftsman or two!)  

Never give up dear quilters!!!  A mistake is only a disaster if you allow it to be!!

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A knight holding a seam ripper kneels before Princess YellowBelly to receive the championships of horrible fabric art experience and triumph - enter your story today

Yarnbombing – Creating Beautiful “Graffiti” by Recycling – Unique Encounter with Ola O’Shea

Yarnbombing bicycle wheel with the spokes done
Princess YellowBelly Designs logo

This has been a year of unique fabric artists!  So far we’ve met two amazing women who take fabric art to new and dizzying heights of creative genius.  And now, we have another one to share with you.

More than that, courtesy of our lovely new guest, we’ve discovered a whole new type of fabric art that we’d never heard of before! 

Yarnbombing

It’s a type of street art, or graffiti (as some call it), where the artist takes a leftover bit of knitting or yarn and wraps it around something. 

  • The supports of a bridge
  • The limbs of a tree
  • The spokes of a bicycle

Yarnbombing has become a way of saving and repurposing “junk” destined for the landfill, and salvaging those odd ends and pieces that always seem to hang around after a knitting project. 

Perhaps unsurprisingly for such an outside-the-box endeavor, yarnbombing seems to have originated in Texas, with those saucy southern Belles who needed something to do with their leftover knitting. 

Now, however, it’s a practice that’s already migrated across America and over the Pond, and is now adorning everything from New York City Streets to Italian Bridges.

Yarnbombing bicycle kids

So without any further ado, please encounter our newest unique fabric artist, and give her a warm greeting!

Yarnbomber Ola O’Shea 

You do a very different kind of art.  It’s fresh, different, and evidently means different things to different people and artists: 

How do You Define Your Specific Type of Yarnbombing?  

My art is unique, every single piece is like no other. I started with knitting sweaters, hats etc., but I always felt a need to create things that were more unique. I connected with a yarnbombing crowd and took part in large group projects internationally.

I start with an object and my yarn selection.

  • I do not buy yarn

Therefore I work with what I have on hand. Minimizing waste I use small scraps of yarn first.

yarnbombing artist Ola O'shea profile pic

Ola O’Shea 

Rather than spending a lot of time on personal stuff, I will focus on my journey with yarn artwork.

I have worked with yarn all my life, knitting and crocheting. Later in life I started to incorporate my craft into art and now I’m saving items from the landfill.

In the very beginning, I was loading kids’ bicycles into the car. One bicycle was left behind which I did not notice. I drove over it. I had a broken bike and decided to save it from the landfill.

That is how my yarnbombing of broken bicycles started.

I cover many items in yarn, making them not only into décor but also great for practical use. My yarn covered stools can be used as plant stands etc.

Interesting Trivia about Me

  • I love colors, primary colors.
  • My style is boho.
  • I never use a pattern.
  • I create items that are unique.
  • And no 2 items are exactly the same.
Yarn bombing bicycle wheels bright colors
  • I do not coordinate colors

I go by how it feels. 

  • I do not plan my projects

They are very spontaneous depending what I have on hand.

Can You Tell Us More About the Culture and Community Surrounding Yarnbombing?

Yarnbombing is unique form of art, which comes with the responsibility of removing a display within an appropriate timeframe, so it does not turn into littering. Knitted/crocheted pieces can be turned into blankets and donated to people in need.

Yarnbombed plant stand

What’s Your Response to Environmental Criticisms of Yarnbombing?

Yes, there is an environmental criticism. I believe a yarnbombing carries responsibility, otherwise it becomes littering. I always make sure the projects I take part in, have zero waste and are environmentally friendly. I do not create art that interferes with wildlife, nature and I always make sure my display is removed in the timely matter.

Where Do You Find Inspiration for Your Ideas?

I find inspirations daily. I see what supplies I have on hand and what I can create. Everything I use is recycled. I do not buy yarn, I accept donations. I look for broken items, cover them with yarn and save them from landfill.

What Motivates You to Create Yarnbombing?

What motivates me to create is recycling items which would end up in landfill.

I do not purchase anything for my art; so I’m recycling yarn as well. I also use fabric. I look for colors and texture.

Why Did You Start Specifically with Yarnbombing?

I started my art, because I want zero waste. Too many items get discarded.

Did you start with a standard pattern or design, or was this all your own creation? 

Everything I do is my own creation. I do not follow patterns; I don’t know how to read them. I pick up yarn and go by how it feels.

What is your process; design, prep, work, completion, etc.?  

I look for items that are unusable, discarded. I will even pick them up from the side of the road. Then, I open my trunk, where I store yarn and fabric. The rest is spontaneous creation. I do not have the finished object in my head when I start. I never know what end result would be like.

Large bicycle with striped yarnbombing wheels

Which is how it all got started with yarn covered bicycles.

  • Bicycle was broken.
  • I was knitting, crocheting pieces, and adding them to the bike.
  • No pattern, no plan.
  • Just plain creation.

How long does each finished (item) take to complete? 

Hard to say, because I work on few projects at the time. I consider it completed when I am satisfied with the outcome.

How many have you made in all (or a rough estimate)?  

Lots.  I’ve lost count, but the projects include bicycles, plant stands, wheels, paper lanterns, and (in part) a plane, and everything in between!

Do You Display Your Yarnbombing Art Publicly?  Exhibits, Contests, Events?

Yarnbombing bicycle with striped wheels

I do participate in exhibits, although I’ve never entered a contest.

And yes, I do events.

My yarnbombing art has been displayed in LA and other cities in the US, as well as Hawaii, London, Canada etc.

I made my part, mailed it and it was incorporated into a large project. We covered façade of art gallery in LA, and a plane in Yukon, Canada.

What’s the best place for our readers to find and/or contact you?  



How-to Recommend Another Unique Artist

Being able to showcase unique artists like Ola is one of the best parts of being Princess YellowBelly Designs. We love discovering new artists, learning about their techniques, and getting to experience their amazing works of art. If you know of someone – or are someone – who practices a unique form of fabric art, please use the form below to let us know!


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Please remember to include a link where we can find, contact, and/or connect with your unique artist

The Tiger is Named!

Tiger quilt with borders
Princess YellowBelly Designs logo

Well folks, the results are in! We had some amazing submissions, and some fun responses. There were a few unexpected finalists – and a truly unexpected winner!

The Finalists

There was a three-way tie for second place, if you can believe it! Apparently everyone else was having nearly as much trouble as we were on picking out the perfect moniker for our handsome jungle tiger.

Those finalists – with 3 votes each – are:

  • Welcome to the Jungle
  • Bob
  • Raja

And our surprise winner – with a solid lead of one vote – is:

Shere Khan

Which is remarkably fitting, actually. “The Jungle Book” was a favorite with my kids, and the dangerous antagonist, Shere Khan, is one of the most iconic villains of the page or silver screen, ever.

In fact, according to Wikipedia – here’s what “Shere Khan” means:

cut out tiger quilted

According to The Kipling Society, the word shere (or shir) translates as ‘tiger’, and khan is a title of distinction, used together “to show that he is the chief among tigers.

The Kipling Society & Wikipedia

Below you can read the exciting saga of how you – our wonderful readers – helped us to finally pick out the perfect name. And soon, we’ll share the finished product with you!

The Election

It’s time to vote on a name for the tiger quilt! We’ve had some amazing submissions, fun, funky, impressive and lordly. It’s hard to decide which one fits him best, so we’re opening up the floor to our readers.

Please let us know which name best suits our majestic jungle tiger (he thinks he’s soooo special, doesn’t he?)

Update!

We’ve had some submissions for the names, and a bit of voting going on. As of now, we have a clear leader, and several challengers tied neck-and-neck. Voting ends on Saturday, November 14th, so make sure to vote now:

  • Shere Khan – 4
  • Welcome to the Jungle – 3
  • Bob – 3
  • Raja – 2
tiger names vote tallies - Princess YellowBelly contests

Cast Your Vote Now! (or sign up to vote next time)

Your Choices Are:

  • Welcome to the JunglePrincess YellowBelly Designs
  • Fridge subset of “Welcome to the Jungle” by Anna Oulette (reference to the character from the highly fun “Jumangi” movies)
  • Shere Khan Suzanna Fitzgerald (co-designer of the quilt)
  • Bob Unique Artist Jolene Noyes
  • Captain FurryKaryl Fitzgerald (in memory of my beloved miniature Tiger)
  • The BossLeiajoy Fitzgerald
  • RajaUnique Artist Nancy Lattier Hinsey

Pretty good, right? So far “Shere Khan” is in the lead, but that could change with your vote. You can vote by leaving us a comment in the comment section below, or by sending your vote in by express mail:

You can always contact us with more ideas via karyl@pybdesigns.com.

The Original Story

If you want to see all the details of the tiger quilt, and hear about the construction process, and what our handsome Raja will look like when it’s all completed (“Almost there…”), you can still check out our original challenge article.

Special Gift

For those of you who’re already newsletter subscribers, thank you! You’ve already gotten the inside peak at our Cattastic story and know a few secrets. For those of you who aren’t yet subscribers, we’ve got a special Halloween treat.

For this issue we’re giving you the direct link to the newsletter archive. You can get an inside look at our basic newsletter, the newsletter-only information our subscribers are privy to, and the beautiful pictures and products we like to share.

Enjoy!

Join the Conversation – Live!

Or, if you’d rather be part of a dynamic group who might discuss this, you can head on over to our Facebook page and check out comments, more pictures, and updated content all the time.

It’s as simple as a click and a like.

Happy voting! (Remember, this is important)

Thank you for voting on the perfect name! Make Sure to sign up for our FREE newsletter so you can be part of our next exciting adventure!

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Can You Name This Tiger?

Original printed photo panel tiger quilt
Princess YellowBelly Designs logo

Calling all fans of Princess YellowBelly Designs!  We need your help.  We’ve got a “serious” problem.  We have a quilt that’s almost finished – it’s gorgeous, it’s stunning, and it’s a true Princess YellowBelly original (just being modest here).  But we can’t decide on a name for it.

Can You Name This Tiger Quilt for Us?   

If you’re one of our wonderful newsletter subscribers (and if you’re not, you really should be, because that’s where the action is!) you know that we’ve been working on a big project for the last few months.  OK, almost nine months, on-and-off, but who’s counting?

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Anyway, sometime in the last year, we acquired a printed digital photo panel, and we decided to do what we do – and remove it from its ugly black background, and give this handsome tiger a new and colorful quilted home.

This is just the inside – there’re double layers of borders that we’ve added, plus a super-exciting final edge!

Now – finally – we’re almost, almost, done.  There’s one last border to attach, one last sashing seam to sew, and this handsome tiger will live forever. 

Or at least until the fabric disintegrates.

But We Just Can’t Decide on a Name

Maybe we got too close as we built this beautiful quilt up from base strip sets and wove together a scene that we hope is beautiful and mesmerizing, that tells a story and sets free the imagination. 

Maybe we’ve just worked on it too long and we’re a little burnt out.

Or maybe we just came up with a whole lot of awesome names and we can’t decide on our favorite (which has happened to us before).

Whatever it is, we can’t quite decide on the proper name to sew onto a fabric tag with our shop name and date and attach permanently and until the end of eternity to our tiger quilt.

So can you help us out, please? 

Take a look at our pictures, and we’re sharing the rough, raw, and real workshop photos of how this quilt is coming together.  And read the story below, as we describe the vision we had for this quilt and how it evolved.  And then think of a name that you think is just absolutely perfect.

Step #1 to Name this Tiger Quilt

Share it in the form below, or if you’re a newsletter subscriber you can go back to the announcement email and hit reply, whatever floats your boat.  And let us know what your name, or names, for the quilt are.

Step #2 to Name this Tiger Quilt

We’ll share each answer in the Facebook post, including the names we’ve thought of, and then we’ll round up every answer we receive during the next two weeks, and share them in our next newsletter issue. 

Step #3 to Name this Tiger Quilt

Then we’ll ask everyone to vote, and all answers will count whether we get it on Facebook or here or on the newsletter, and we’ll pick a name. 

(I’m not sure how, but just as a disclaimer, please nothing crude or explicit.)

We’ll share each answer in the Facebook post, including the names we’ve thought of, and then we’ll round up every answer we receive during the next two weeks, and share them in our next newsletter issue. 

Alright – Let’s Learn About the Tiger Quilt!

tiger on black background

We wanted to get a fabric tiger, I can’t remember why now.  I think we were planning on making a fracture quilt or something.  But we found a printed tiger panel – just one – on Fabric.com, one of our favorite supply sites.

He was a very handsome tiger, on a black-and-white background.  I’m told this is a photography technique called “color-popping,” but in this case I just felt it didn’t do him justice.

Re-Doing the Background

cut out tiger quilted

So we ordered the tiger, and the first order of business was to take him off of his boring monochromatic background and begin puffing and popping him with batting, foam, and variegated thread highlights.

Once we’d done that, we pulled out all of the colors out of our stash that we thought worked to create a more natural background for the tiger – a kind of sun-washed jungle background.  After a few false starts we ended up with a chopped-square mosaic background that we quilted all over with jungle vines and leaves. 

Changing the Plan

At that point the plan was to stop.  But – of course – the quilt had other ideas, and we had to listen to the muse.

So we started envisioning something new. 

We saw a tiger, king of his realm, in a ruined temple in one of the amazing wildlife preserves in India.  So we started adding in architectural pieces designed to evoke images of the awe-inspiring Taj Mahal, from sandrel-arches to mosaic diamond floor tiling. 

Tiger quilt on a mosaic background

The Final Result (coming soon)

We’ve put all these pieces together, and we’re working on the final border, which will be another Princess YellowBelly original design that’ll finish it off with flair. 

chevron border

So, this is the breakdown.

You’ve got a 3D quilted tiger face “laying” on a mosaic jungle background with a silk-leaf border under a diamond trellis border. 

Next you have a geometric border of what’s normally called bi-colored chevron arrows with a copper metallic ribbon to define the points. 

chevron border

Now the top and bottom of the quilt have a special border – a straight green strip with striped cream, brown, and gold diamonds in the same diamond trellis design.  And the little tigers that came with the big panel live there in stunning glory.

Finally there will be a border around the whole big, beautiful tiger quilt in a fabric we fondly refer to as “the tiger flame.”  That’ll be a specially shaped border…once we stop achieving the cow udder effect.

Can You Name this Tiger Quilt?

Tiger quilt with borders
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Practical Woven Art – Unique Encounter with Nancy Lattier Hinsey

Blue boho woven bag - Practical boho weaving
Princess YellowBelly Designs logo

Princess YellowBelly Designs loves, loves, LOVES finding fabric art and artists who are unique, amazing, and oh-so-special. The art we especially love to find is when an artist has tried several different mediums, like quilting and crochet, for example, and has found some way to combine the two into an amazing new style – something you can’t find in any pattern book.

Here at PYB we do it with quilts, we start with quilting patterns, add in some applique, include embroidery techniques, buttons, etc. But recently we’ve shared people who do it with crochet, clothing, and – now – weaving!

And, really, wow. What weaving. We’ve found someone who not only loves bright colors, but combines a truly staggering number of different artforms and influences. And, while it may not be humanly possible to become proficient at each and every type of fabric art – our new unique artist may very well have at least tried just about every way to apply art to piece of thread or fabric.

So, without any further ado, please help us welcome a truly amazing, unique fabric artist:

Nancy Lattier Hinsey


What inspired you to start weaving?  

In 1974 I visited Salem, MA and took a docent-led tour.  The main room in one house featured a 6’ wide loom.  I’d never seen a loom before and was fascinated.  I decided then that one day I would own a loom and know how to weave. 

Where Do You Find Inspiration for Your Ideas?

I’ve lived alone since 2015, for the first time in my life.  This has led to an explosion of creativity and revealed the true artistic soul inside me – one that can finally express herself in any way she chooses!  At age 73, I feel like I am finally living my “true life.”  Even dinner becomes an artistic expression and the consumption of a meal a gift to myself! 

Hat with woven brim

Many ideas appear in my dreams!

My Fall and Winter plans include new experiments with Fabric Layering and Manipulation, Shibori dyeing, new Overshot weaving patterns and fibers, and a promise to myself to learn to “COLOR OUTSIDE THE LINES.”

Nancy Lattier Hinsey

Nancy Lattier Hinsey

I was an Escrow Officer in So. Calif and lost my job in 2007 when the R.E. & Mortgage Loan-stoked recession hit. I’d always wanted to learn to weave, so I bought a loom and enlisted 2 weaver friends to mentor me.

2 years later, I lost my home.

But I had my small but unencumbered home in Baja, Mexico, on the shores of the Sea of Cortez, so I packed myself, my looms (2 now) and the 2 cats and headed south in 2009.

I’m the only weaver around and as such I generate a lot of interest. I sell to people here, Americans and Canadians, who (used to) visit my home studio, opened an Etsy shop 2 years ago to showcase my wares and promote/sell on Facebook.  And, until Covid, I participated in 4 – 6 Art Shows in San Felipe per season. 90% of the gringos leave by June 1st, before Summer hits with high temps and humidity!

I feel like I am finally living the artistic life I was destined to live, but kept circumventing due to career and job pressures. Every day is now devoted to creation, expression, experimentation and presentation of Wearable and Practical Art:

  • Rugs
  • Scarves
  • Boho bags

What Motivates You to Create Fabric Art?

I am motivated by Curiosity and Boredom.  A compelling combination that has led me to explore many aspects of life and creative expression. 

I’m mostly self-taught and have created in, or at the very least experimented with, numerous art forms including:

Practical Woven Art
  • Cut paper
  • Quilling
  • Calligraphy
  • Illumination
  • Beading
  • Crochet
  • Knitting
  • Macramé
  • Oil painting
  • Candle making
  • Pen and ink
  • Shibori and tie-dye
  • And silk screening. 

My silk screened “Jelly Bean Bags” found their way to Ronald Reagan’s desk. 

Yes – she said Ronald Reagan’s desk! Email if you’d like to hear more!

MY PRACTICAL AND WEARABLE ART: 

  • Woven Rugs – Wool and Rag 
  • Table Runners 
  • Scarves – Saori style and traditional patterns – (Saori is an organic Japanese weaving style of  flowing consciousness) 
  • Purses 
  • Fabric 
  • Boho Bags 
  • Hat Bands 
  • Clothing – pants, caps, blouses 

I believe my multi-media “work” represents a respectful combination of Arts and Crafts. 

Fancy button bag

Why did you start making Boho bags?  

I began weaving Boho Bags in 2013.  At the time, I was weaving Rag Rugs from fabric strips, and had lots of fabric people had donated for my use in weaving these.  (I tear or cut the material into 1 ½” strips for weaving.)

One day I noticed a stack of fabrics that looked so great together I decided to do a patchwork piece of fabric and Boho Bags were born!   

While I love the colors, textures and patterns available to me through weaving, the fabric manipulation satisfied a craving for a more immediate tactile experience.  I re-acquainted myself with my sewing machine (an antique Singer) and started to sew; the old Singer only lasted a couple of months. 

I put out a request for a machine on my local Facebook page and was gifted a Kenmore that has become my work horse!  I was also given a programmable Pfaff with all the bells and whistles, but I still do all the basics with the Kenmore. 

The Boho Bags are one-of-a-kind and wildly popular. Several clients have bought numerous bags.

Did you start with a standard pattern or design, or was this all your own creation? 

I started with a simple woven rectangle 15” wide and 30” long, resulting in a 14 X 14 bag when stitched.  I keep it simple, though I do experiment with various closures, over flaps and straps.  I recently found a woman in WA who now weaves custom-order straps in specific color combos, for specific purses. 

And I’m always on the prowl for fobs, focals, lace, trims, beads, sequins, fringe and anything sparkly to add to the bags.  

I follow many people on Pinterest and occasionally see a purse style that grabs me. Otherwise, I feel the purpose of the bags I create is to evoke a visceral reaction to the color and texture, and this size fits the bill to express that. 

Practicality is important but secondary. 

Each bag, whether fabric or woven, has interior pockets.  Most feature outside pockets as well.  Some fabric bags are constructed with a flat bottom and sides, creating a more voluminous tote.  Some have pockets on the sides as well, perfect for sun and reading glasses.  People LOVE pockets!  And always one pocket slot that fits the phone!  

 

What is your process; design, prep, work, completion, etc.?  

Woven boho cap

I don’t do a lot of planning!!  It all starts with the visual for me. 

I browse fabrics, either on hand or on-line.  Sometimes I wake up with a certain color or trio of colors dancing in my head.  The search begins.  I pull out anything that fits the bill, without stopping to evaluate.  I often end up with a large stack of fabrics on my dining room table aka Work Space.  (Fortunately I live alone!)  I work on a “base” piece out of muslin, (my palette), and affix my fabric designs to that.  And finally, each purse is fully lined with at least one interior pocket. 

I fall under the category of Obsessive-Compulsive I’m sure!  Which works fine for me. 

I work on the new purse till I’m either stumped or bored.  But since I always have at least three projects going at once…. I go on to the next one and keep the creative juices flowing.  I call it Multi-Tasking.  And it makes for a very full, exciting and productive day/week/month/year!  The weaving process though requires a Zen focus – when I’m weaving, I weave. 

Woven boho cap

Is there anything you can tell our readers about how to integrate two very different fabric art styles into one finished piece?    

I don’t really do much of this.  I have used some of my woven fabrics as over flaps on the fabric Bohos, but otherwise I prefer similar fabric textures on a bag. 

How long does each finished bag or scarf take to complete? 

THE most often asked question at shows! 

Especially with my woven rugs.  Most of my wool rugs are 2 ft. X 3 ft.  And depending on the intricacy of the pattern, each rug takes an average of 12 hours to weave.  Add to that the preparatory steps of winding a warp, threading and dressing the loom, and then the final process of tying and twisting fringe and in some cases, wet finishing.  I weave a special wool rug I call a “Kaleidoscope Rug,” woven with the remnants of the many colors of wool left over from previously woven rugs. 

I weave most of my wool rugs in the “Indian Saddle Blanket” style with the color scheme the only pre-determined element.  I weave in a “stream of consciousness” fashion, changing colors when it feels right to do so.  This makes each rug an adventure and suprise for me! 

The Boho Bags vary from 6 to 10 hours, and the woven rugs can take as many as 20 hours total!  

How many have you made in all (or a rough estimate)?  

In my 13 years of weaving: 

  • Wool rugs – probably 80…..all but 3 have found homes. 
  • Rag Rugs – 40.  Woven Bags – 60. 
  • Fabric Bohos – 60. 

I also weave Table Runners (10), and Scarves (100). The woven scarves are very popular as Christmas gifts!  Last year alone I had orders for 20 of them.  It was a very busy 3 months for me! 

I’m currently exploring Fabric Layering and Manipulation including Appliques and Reverse appliques, various forms of stitching, embroidery and “slow stitch” ala Alabama Chanin.  I do have four stitched Hat Bands (Head Bands) available.  These are done in the reverse applique method with floss stitching and embroidery.  And of course, the fabric bags make the perfect base for exploring these techniques. 

Also, I’ve recently begun a love affair with African print fabrics.  Oh, what dynamic colors and bold geometry!!  I’ve sold a few pair of African style pants in these prints as well as the retro Newsboy Caps. 

And, next up will be a Japanese Hapi Jacket in a wildly colorful African print.  The perfect pairing of cultures. 

And, in a commitment to forward movement and further expanding my ability to “think outside the box” and “paint outside the lines,” I’ve begun daily entries into a new Artist’s Sketch Book. 

I love the bold look of a black Sharpie, so that’s my first line of expression on the page.  Then, I embellish with watercolors – also a new endeavor.  I share each day’s sketches on Facebook.  So many people enjoy sharing in the process of discovery.  I am finding that sketching from “real life” enhances my perception and attention to details, shading and shape. 

Who knows where this may lead?  Also a new adventure for me. 

I hear you’ve won quite a few contests, can you tell us more about that? 

My dear friend and weaving mentor, Suzanne, bought one of my first woven wool rugs.  It was a unique design in the “Indian Saddle Blanket” style which features alternating blocks of color and solid stripes of varying depths.  This one was black, red, white and turquoise.  She entered it in the annual Riverside County Fair & Expo and shocked the heck outta me when she told me the rug had won “Best of Weaving” and “Best Woven Rug” divisions!  

Plus I received a small check and two blue ribbons!   

In 2013 I created the First Annual South Campos ART TOUR.  

This is a unique celebration of the colorful local art I enjoy so much. It consists of 8 local artists, visitors purchase a ticket and drive to their home/studio to see demo, view and purchase original art, then enjoy events like Lunch, Raffle and Silent Auction at Community Center, proceeds to local middle school ART AND ESL programs, which we established and staff.

Do you display at fairs or events?    

I participated in approx. 6 Art Shows/Sales per Season (Oct – May) here in San Felipe, where there is a large community of retired Americans and Canadians.  Those are on hold till it becomes safe to be in crowds again!  

I have also just made arrangements with a friend/customer who is opening a Tourist Gift Shop in Poncha Springs, CO to provide some of my woven pieces for sale there.

SALES:  Most of my sales are made in-person at local San Felipe Art Shows and to visitors to my home studio (PRE COVID).   I certainly miss those visits with coffee and convo! 

My Etsy shop serves as a tableau for all of my current inventory.  The Covid virus has hit San Felipe hard, and mask and in-home precautions are still in effect.  Thus, on-line sales, mostly through Facebook, are especially important to this solo artist living on a sand dune in Mexico! 

What’s the best place for our readers to find and/or contact you?  

How-to Recommend Another Unique Artist

Being able to showcase unique artists like Nancy is one of the best parts of being Princess YellowBelly Designs. We love discovering new artists, learning about their techniques, and getting to experience their amazing works of art. If you know of someone – or are someone – who practices a unique form of fabric art, please use the form below to let us know!


Please enter your email, so we can follow up with you.
Please remember to include a link where we can find, contact, and/or connect with your unique artist

Wearable Art Genius – Unique Encounter with Marijke van Welzen

wearable art long coats and jackets
Princess YellowBelly Designs logo

Princess YellowBelly Designs is all about celebrating the most unique and creative ways that fabric can possibly go together – and if these artistic creations happen to be useful as well, all the better!  From quilts to wall hangings, from table toppers to mug rugs, from patterns to printed photo panels – we’re all about the magic in the art. 

Which is why we’re so excited to welcome an incredibly unique artist that we just met on Facebook!

Please give a warm welcome to our wonderful guest star:

Marijke van Welzen! 

The Art

Marijke does something with the basic idea of quilts and fabric art that we’d never considered – she creates mesmerizing art that you can wear!

Her amazing long coats and jackets look as if a field of flowers, or butterflies, or dandelions decided to wrap themselves up in silks and watercolors and grace a quilt.  Everything, from the stunning overall effect, to the unbelievably perfect fine details and embellishments, to her picture-perfect stitching make Marijke’s art2wear creations beyond stunning.

What inspires you to make wearable art?

Wearable Artist Marijke van Welzen

Marijke van Welzen is an amazing and truly unique textile artist.  Under the label art2wear she makes high-end wearable art and accessories with a story to tell.   From her home in the beautiful Netherlands she works at combining multiple fabric art disciplines and techniques to create one-of-a-kind show-stoppers. As if that wasn’t awe-inspiring enough, she also makes quilts and teaches. 

Read to the end of the article to see a video of Marijke creating this art!

“I love the 3D aspects of Wearable art. I’m inspired by:

Display of wearable art
  • Art
  • Other artists
  • Fabric
  • Fibers
  • Fashion
  • People
  • Fairy-tales
  • And the natural world

I like to participate in contests, I pick the ones with themes that inspire me. When I read the theme it has to be catchy at once. I start thinking about it, doing research, reading articles, looking at images at Google etc.

An idea comes to my mind, has to whirl around in my head for some time, then I start working.

The rest is very intuitive, once I start, it works like a kind of puzzle, I find another piece, or I just have to wait until some more pieces turn up. I never know exactly beforehand what the end result will look like.”

Was there anything in your life story that led to you making these beautiful works of art?

In the year 2000 I found a book by Rosemary Eichorn, “The Art of Fabric Collage.”

I already made a lot of my own clothes, but I had not done something like that, I decided to try it out.

I now have made more than 50 jackets and coats.

Why do you enjoy making these jaw-dropping creations? 

I love working with textiles. I love the tactile aspect (to feel the different textures, soft, rough, hairy, smooth etc.) the flexibility, the unlimited color range and the visual texture (shiny, muted, glittering etc.). I usually work very intuitively, sometimes I use a Mandala drawing I made for inspiration.

Daily life can be very hectic, my art helps me to balance my life; it gives me a way to escape everyday life, relax my mind.

Marijke and friends wearing jackets of wearable art

I occasionally work on commission. The garment is tailor-made for that particular client. I keep in mind wishes like favorite color, design, shape etc.

I start with an interview with the client, we talk about their life, pets, work, that way I get an idea about what they would like in their jacket. Then I take measurements.  It is a time-consuming process, which make the garments quite pricey.

Did you start with a standard pattern or design, or was this all your own creation?

I learned how to draw patterns. I use basic patterns which I adapt.

Do you make a lot of different designs or variations of a basic one?

I make one-of a-kind garments. Each one is different.

What is your process; design, prep, work, completion, etc.?

I love to use fabric collage. Using many tiny pieces of commercial fabric prints and colorful machine threads I ‘paint’ my designs.

I usually work very intuitively. I collect fabrics around the theme I want to work on and things like ribbons, lace, buttons, charms, beads and anything else I think I can use.

Sometimes I use stencils or stamps and fabric paint to enhance the piece.

Is there anything you can tell our readers about how to integrate so many different techniques and materials into one piece of finished art? 

I work on a base, like interfacing, or thin quilter’s batting. Everything is pinned to that base.

Dutch-language videoto watch with English-captions:
1. Click on the double “CC” button to turn on captions.
2. Click the gear icon settings button & select “Auto-translate”
3. Select your language from the drop-down menu that appears

Video credit goes to the late Jacques van Herten – media used with permission

I work on a base, like interfacing, or thin quilter’s batting. Everything is pinned to that base.

I love to use all sorts of materials, mixing and matching cotton,silk, synthetics. Then I stitch it all down. After that come the embellishments.

 I like to explore and use other techniques as well for my garments e.g. working with water-soluble fabric to make lace-like effects or using wet and dry felting in combination with the textile collage.

How long does each finished design take to complete?

I work a couple of months on one large coat. I do 1 or 2 large ones a year. In between I make small quilts or other things.

How many have you made in all (or a rough estimate)?

I think around 60 jackets and coats in all in 20 years. And about 20 quilts.

Do you do a lot displaying at fairs?

I try to have expositions regularly. I had solo exhibits in 2019 and 2020 of my coats in the Netherlands and Germany. Many of my pieces are shown in quilt shows and museums worldwide in group exhibits.

I like to take part in calls-for-entry, I find on the World Wide Web. These are calls for exhibitions. The artwork is juried. Sometimes there are prizes to win, sometimes it’s only a ribbon.

I also teach workshops in the techniques I use. We work in small groups, the sewing machines are ready and waiting. On request I teach on location too.  I am looking into teaching online, as travelling is not an option now.

What’s the best place for our readers to find and/or contact you?

wearable art live workshop

How-to Recommend Another Unique Artist

Being able to showcase unique artists like Marijke is one of the best parts of being Princess YellowBelly Designs. We love discovering new artists, learning about their techniques, and getting to experience their amazing works of art. If you know of someone – or are someone – who practices a unique form of fabric art, please use the form below to let us know!


Please enter your email, so we can follow up with you.
Please remember to include a link where we can find, contact, and/or connect with your unique artist

Bring-A-Friend – Join Today to Become a Part of Our New Referral Program & Earn Major Discounts on all of Our Great Quilting Products!

fairy boy and girl spinning spiderweb heart with button caption "Bring-A-Friend"
Princess YellowBelly Designs logo

Enjoyment. Magic. Wonderment. Pretty colors. Stunning scenes. Original designs. Easier ways to get even more amazing results.

That’s what we strive to bring you here at Princess YellowBelly Designs – and we hope that you’ve been enjoying our content as much as we have. If so, we’d like to invite you to participate in a brand new – and very exciting – custom program.

Princess YellowBelly Designs is starting on an exciting new stage of our journey to seek out new forms of quilted fabric art. We’re adding a store to our site, creating more and more patterns so that our wonderful readers can recreate our original designs, and we’ve just received our first original printed panels and will soon be offering these stunning panels for your pleasure!

And with all of that going on, we want to bring more and more quilting and fabric art geniuses into our artistic family. So we would like – we would love – to invite you to please become a part of our growing community!

If you like something – it’s only fair to share it with your friends!

Be a Part of Our New Referral Program & Earn Major Discounts!

We’d like for you to be among the first to participate in our brand new referral-to-discount program. 

When you sign up to be a part of the Bring-A-Friend program, you’ll be able to invite your friends to join our group by signing up for our FREE newsletter, or purchasing one of our products.

The best part is that both you and your friends will then be in line to receive absolutely HUGE discounts and special privileges.

How “Bring-A-Friend” Works

If you’re interested, here’s how this simple but fun and lucrative discount program works.

Join Our Referral Team

First, you need to fill out the form below:

If you want to leave a comment or ask a question while you're signing up, please do so! We love to hear from our readers and members, but if you just want to sign up for our Bring a Friend program - you can leave this field blank!

This form lets us know that you’re in! (And we’re so delighted to have you, thank and welcome!)

Receive Your Special Code

Once we receive your message, we’ll reply via email with your custom Bring-A-Friend code. This code is what you will share with your friends.

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How Being Referred Will Help Your Friends

When your newly referred friends use this code to join our FREE bi-monthly newsletter we’ll send them a FREE shipping discount coupon for any item in our shop. Which is always nice, and if they’ve got their eye on one of our large finished quilts, for example, that can be a pretty significant savings!

Most Importantly, Here’s What YOU GET From Being in “Bring-A-Friend”

The best part, however, is that when your friends use this code, we’ll create a new coupon code – sent directly to you – for a HUGE 10% discount on any new purchase that you care to make. 

We hope you join us today! If you’re interested in referring us to your quilting friends, and earning major discounts, just fill out the form, and you’re on your way!

If you want to leave a comment or ask a question while you're signing up, please do so! We love to hear from our readers and members, but if you just want to sign up for our Bring a Friend program - you can leave this field blank!
fairy boy and girl spinning spiderweb heart with button caption "Bring-A-Friend"

*Please note that we create these codes for each member – no automated content. So please allow up to 48 hours to receive your code.