Freewheeling With Free Motion Quilting

Lamb silhouette - quilted using free motion quilting techniques

For quilters everywhere – but especially for fabric artists – free motion quilting is the most fun you can have outside of bars & bed.  In fact, as my amazing quilter friend Barb often says, “Quilting keeps us off the streets and out of the bars,” in the first place. 

You might be able to tell that free motion is my favorite part of the entire quilting process.  

I can get positively tipsy on the entertaining, creative liberties of freewheeling around loops, spirals, feathers, shapes, and those odd jigsaw shapes only I understand.  I guess this is because it incorporates two of my favorite elements in fabric art; thread and freedom

Thread is one of my guilty addictions, I positively adore it. 

I love the plethora of colors and the way they can enhance any project; the colors…thicknesses…textures…variations…and possibilities. 

The freedom comes with the free motion capabilities of my machine of course.  And I do recommend that any creative quilter buy a machine that has a free motion quilting foot and put it to good use!  But I also geek out over the opportunity to quilt whatever and wherever I choose.  It’s extremely liberating! 

“FREEDOM!!!”

It’s also a little intimidating and overwhelming the first few times you try it. 

For those of you who are used to being told exactly what to do and how to do it every step of the quilting process, this is completely understandable.  I used to do things this way, and I would obsess about the final quilting process – especially when the pattern would say, “quilt as desired.” 

I mean, what did THAT mean?  Gradually, though, I realized that I could quilt almost anything, and it would look great, especially with the right thread choice. 

As I share my journey from timid, mouse-in-the-corner, follow-the-lines quilter to a freewheeling genie, I hope you’ll get inspired to unleash your inner creative tiger, and let loose in the colorful world of thread and free motion quilting.

Plastic Guidelines for Free Motion Quilting

As I quickly learned quilting styles like “quilt-in-the-ditch” will only take you so far.  And while those are useful techniques that certainly have their place in certain projects, you can do and be so much more when you drop the feed dogs and spin your quilt through the machine.

Using Iron-out Pens

When I first started with free motion quilting, I bought a lot of those plastic quilting guides that you lay down over your project and trace over with an iron out pen. 

This is great if your project needs a specific pattern, but is very impractical when you’re doing a large project as it takes a long time.  Ya’ll may remember my great capacity for patience…so, yeah.  Moving on.

Using plastic guides also uses up your iron-out pens pretty quickly, and those puppies don’t come cheap!

Using ponce chalk

After this I tried the ponce and chalk option.  A ponce is basically a small box with a sort of cheesecloth bottom.  You fill the box with powdered quilting chalk and bang it down over your plastic quilting guide until the chalk marks out your quilting design.

 I found out that while it certainly is faster, it’s also a great deal messier, with chalk on everything, including up your nose and in your eyes. 

The biggest trouble here is that powdery chalk, by its very nature, rubs off, and you can only do relatively small sections at a time.  Also, I discovered that some fabric is slippery (even cotton ones), and the chalk just slides right off. 

Also the pattern is much clearer if you have extra hands hold the plastic guide down – and my kids had a weird aversion to me banging the ponce down over their fingers.  Go figure. 

So now, if I have a specific pattern I want, and the fabric is dark, I will use chalk, but I use my chalk line drawing tool and I only do this if the overall project is small. 

This method made the star shapes on my ‘Camel Panel.’

Unavoidable Errors 

I also learned that the only real way to get a perfectly quilted design is to have a long-arm, computerized quilting machine.  But since I don’t have $30,000 to spend on a machine that won’t fit in my house anyway, I had to learn to live with human errors. 

At first these unavoidable jigs and jags would make me wince, but no one ever noticed them except me, and given enough time, even I could barely find them. 

So I thought, “what the heck, why go to all this trouble if no one but me really notices.”

Next, I bought a few free motion quilting how-to books that teach you how to do this the “right” way.  And if you’re drawing challenged – like my girls – these might really work for you.  I can’t recommend any of them, however, because that’s not how my mind works. 

I also find it impossible to make every shape the exact same size each and every time. 

This is especially true when I quilt the feather shape – my feathers change size and shape with alarming regularity. 

Natural Free Motion Quilting Styles

Finally, I found a teaching video by Judy Hansen entitled Free-Motion Quilting for Newbies, it’s an absolutely super teaching video. 

What I liked most about it was that Judy gives you permission not only to experiment, but also to make what I used to call a mistake but she only considers variations in the pattern.  As she says, “Nothing in nature matches, so don’t worry about your quilting patterns matching exactly.”  What freedom! 

This permission slip really started my creative juices flowing, and now I am fearless when I start quilting a new project.

No one will know you’re perfect – even if you are

The thing you’ll notice is that non-quilters will be so awed by your talent that they’ll never notice a few wigs and wa-wa’s.  More importantly, when you stop trying to impress everyone with your perfection you’ll set your soul free.

Amazingly enough, you’ll also find that the brain sees what it expects to see.  Your eye may be seeing one thing, but your brain will present a completed image.

For example, if you’re looking at a quilted piece your brain will show you a beautifully quilted overall pattern, no matter the wa-wa’s.  You have to actually stop and look very carefully before your brain picks up any ‘imperfections’.

Most people will not take the time to do this, and you’re home free!

Listen to your quilt

This’ll sound weird to non-quilters, but if you listen to your quilt project every step of the way, it will tell you what pattern that it wants to be quilted with. 

For instance, my ‘Winter Wonderland Panel’ wasn’t originally a fantasy landscape.  I came to understand, however, that there were fairies hidden in the woods.  They were shy, but definitely proud of their wings. 

So, if you look closely, you will find 3 sets of fairy wings in my quilting.

In the mermaid quilt that I’m currently sewing, I’m going to use a wave pattern, as the borders represent the ocean.  So look carefully at your project and let it tell you what it needs to really shine.

Thread – Thread – Thread – And More Thread

Think carefully before you pick your quilting thread. 

The color you choose will make a great deal of difference to the finished look of your project.  Here again, the quilt will let you know. 

Sometimes you’ll want to highlight the design and not the quilting, and so you’ll need either invisible thread or a color that matches exactly.  This is what I did with my mermaid panel.  I wanted her to shine and the quilting to be almost invisible. 

If the opposite is true, and the quilt design isn’t such a much, pick thread that will really make your quilting design pop right off your project. 

I like to try my choices out on a scrap of corresponding fabric first, to make sure that my thread color and design are going to look like I think they will. Practicing on a fabric scrap will also let you adjust your tension and motor speed.  If something isn’t right, you won’t have to pull it out.

Think of everything in the box

To aid in picking out the right thread, I go through all my thread boxes and pull out anything that I think might even remotely work. 

Two rows of different variegated threads on different sized spools - beautiful, vibrant colors

If I can’t tell if the thread is right just by laying the spool on my project, I unwind about a foot of it and puddle it on my project.  This makes it fairly easy to see what it will look like once you sew with it.

Don’t be afraid to try some really odd combinations – sometimes the weirdest thread/fabric combos are just what is needed.  

A word about the importance of bobbin thread in free motion quilting

Your bobbin thread is important – and usually you’ll want it to just disappear into the backing of your quilt.  Sometimes, however, your machine will drag the bobbin thread through to the front, just enough to show. 

If this happens, make sure that your bobbin thread disappears on the front even at the expense of the stitching showing on the back. 

Before you load your bobbin into the bobbin case, I highly recommend that you first insert a magic bobbin washer.  These are Teflon washers that feel like plastic.  They go between your bobbin case and your bobbin, and fit any home sewing machine. 

They’re made by a company called “Little Genie” and are absolutely magical in what they do for your quilting!  If you’ve ever quilted a project and turned it over, just to discover a bunch of birds’ nests, you will know why you need this super little invention. 

Such a simple thing, yet these little washers will eliminate 95% of all backlash tangles and birds’ nests on the underside of your quilts. 

They come in a package of 12 and are very reasonably priced.  Since they’re made out of Teflon they don’t wear out – I’ve only ever purchased one package and I’ve been using them for about 6 years. 

The only trouble is that if you’re not careful when you take your bobbin out of its case, these little rascals will pop right out and fly away. 

Good thing I have my kids to crawl around on the floor to find them again!

Not All Quilts Are Quilted Equally

Once you know what pattern you want to quilt and the top thread you’ll be using, give some thought to different areas of your project. 

This is especially true for quilts that are made using printed fabric panels

You may want to free motion quilt around the shapes in the panel, and then stitch in the ditch around whatever quilting blocks you’ve used to enhance the panel – as was the case with my ‘Home Pastures’ quilt. 

Some areas only need a straight quilting stitch, no matter the pattern you’ll be sewing, but sometimes a smaller area will be screaming for a fancy stitch.  If your machine has this feature, don’t be afraid to explore these.  My Bernina has about 70 fancy stitches and I use these a lot, but only in small areas. 

A word of caution, each different stitch usually has a motor speed that optimizes the pattern.  If you try sewing that particular stitch too fast or too slow, the pattern will be skewed. 

This used to frustrate me horribly until I sat down one day with a lot of scrap fabric, and played with each stitch and the motor speed till I found the optimal combination.  I wrote it all down and Suzanna made me a chart that I keep in my sewing feet box. 

Now, all I have to do is reference my chart and I’m good to go.  I would highly recommend you do the same for your machine – it saves a great deal of time, frustration and thread!

Let’s Go Freewheeling with Free Motion Quilting

Now you’re finally ready to start! 

  • Your quilt sandwich ironed and crease free
  • Your machine is loaded with your choice of thread
  • And you’ve set your machine to the stitch you’ve chosen.

Now it’s time to put on the clear plastic free motion quilting foot, drop the feed dogs, position your quilt at your chosen starting point, and put the pedal to the metal. 

Tips to Make Your Free Motion Quilting Go Faster & Look Better

1.      Don’t trim your project before you quilt it. 

Free motion quilting is especially bad at warping a quilt sandwich in every direction.  If you trim before you quilt you will have to trim again when you’re done and you could lose important parts of your design.

2.      Always start as close to the middle of your project as possible.

This helps you to smooth out any excess fabric to the edges as you quilt and eliminates bunching.  As you quilt, use your hands, wrists or even your elbows to hold your fabric taut.  The tighter you can hold it, the smoother your finished project.  Once you have the middle done, move out towards the edges, smoothing as you go.

3.      Get rid of thread tails before you start quilting.

When you arrive at your starting point, drop your free motion quilting foot, hold onto your top thread and run your needle through the quilt once to bring up the bobbin thread. Pull this through to the front, backstitch a few stitches and then start quilting. 

This eliminates all those pesky thread tails on the back that get tangled in your quilting and are a pain to snip out later.  I used to make the kids do this job, till I learned this trick, and they almost kissed my feet when I started this practice.  Also remember to backstitch when you arrive at the end of your stitching, and snip off your thread as close as possible both front and back.

4.      Don’t be too impatient to get all your quilting done in one go.

Shepherds look at the star of Bethlehem - quilted using free motion quilting techniques

I used to be.  Take the time to stop and tie off when the pattern demands it and then start again somewhere else.  It makes a real difference to the final look.  It can also make a difference to the warping of a quilt – as you can drag the sandwich completely out of kilter if you quilt too heavily to one side or the other without balancing it out. 

5.      Don’t hesitate about changing your thread colors.

If you don’t like the effect of a thread on a differently colored section or the project demands it.  Different colors in different places can make different design elements pop.  Sometimes you may want to use metallic threads in places like eyes (on panel quilts) or match element colors, like on landscaping quilts with distinctive skylines. 

6.      Consider quilting gloves.

I have tried wearing those white quilting gloves that are supposed to help your hands grab the fabric more securely – and they do.  But, (and there’s always a “but” isn’t there), they are a real pain when you need to work with your thread.  Being who I am, this drives me crazy, always having to take them on and off so I stopped using them. If this doesn’t bother you then use them by all means, because they do help.

7.      You can experiment with other quilting helps

Safety pins, bicycle clips, and more help some quilters – but remember that these will always have a downside.  How you quilt best will depend upon your personality (patience level), how big your quilts are, and how easily you find it to create patterns without a guide.

8.      When you quilt always remember to use a fast speed but slow hands. 

There is a great temptation to swoop and dart and swirl around with your quilting because fee motion is so freeing.  However, if you do this (and I did at first) your thread won’t be able to keep up, and there will be many places where your thread will jump large spaces, the quilting will be uneven, and you’ll be able to pull the entire line out with your fingers. 

So always remember, fast needle and slow hands!

These are all the tips I can think of right now.  There is nothing like laying out your project after you’ve quilted it and being thrilled with how it’s turned out.  So be brave intrepid fabric explorers and let your inner quilter loose!

6 Ways to Use Printed Fabric Panels for Quilting Projects

Home Pastures - a project that used printed fabric panels for quilting

One of the hottest new trends in the quilting world, and the unique realm of fabric art in particular, are fabric panels for quilting. These gorgeous panels can feature anything a digital artist can come up with, from peacocks, to cabins, to double-exposure photography panels like the new rave forest animals collections. 

Every time I enter a quilt store or open a quilt magazine there are more of these printed sewing panels available, and they are getting more beautiful and detailed all of the time.

The question is, of course, what do you do with a printed fabric panel?

Have fun with printed fabric panels – after all, how could you not?

As with all the best products in fabric art, there’s actually quite a few things you can do with fabric panels for quilting, and these ideas range in difficulty from great beginner projects to difficult creations suited for confident and experienced quilters.

1.     Add Outer Borders Only – Beginner Level

Some panels are so totally gorgeous on their own that to do anything except add a few borders to finish off the edges would be a shame. 

This was the case with my ‘Away in the Manger’ panel.  It just speaks for itself.  It was gorgeous just the way it came, but when I quilted it the figures literally popped and became very life-like. 

Using fabric panels for quilted wall hangings is a great way to “wet your toes” in the quilting world.  You’ll get practical experience in:

  • Layering a quilt sandwich
  • Quilting either a simple pattern or free-motion quilting
  • Straightening up a quilted edge
  • And binding a small, lightweight quilt

Also, if you’re working up towards the intermediate end of a beginner’s skill level, you can try adding simple pieced borders instead of just strip borders.  You’ll get practice in piecing and measuring, without a ton of extra work.

Adding borders and binding to a printed fabric panel is also a great project for quilters who are too busy for a larger project – or who don’t want to pull a full-sized quilt through a home sewing machine.

So, if you love a panel just the way it is, add one or two borders, quilt & bind it, and let it shine on your wall.

You can also add to a panel by using “sparkly” accessories:

  • Metallic thread
  • Buttons
  • Ribbons, rick-rack, and trim
  • Hot-fix studs and crystals

2.     Use Printed Fabric Panels for Quilted Table Runners – Beginner Level

Another option is not to add any borders at all. 

Simply add batting and backing, quilt as desired, and finishing with a narrow binding. 

Since most printed panels are 22”x44” this makes for a wide runner, but it works fine on a larger table.  This can be a good choice for seasonal panels. 

Both of these are examples of printed fabric panels for quilting just before they enter the quilting process. The ‘Northern Lights Christmas Tree’ will become either a large wall hanging, or a twin quilt, and the ‘Mermaid’ was designed from the beginning to be used in a twin quilt for a little girl.

Or, you can use smaller printed photo panels to make up the larger squares in traditional table runner patterns. One of our more recent projects – the Strawberry Farm-to-Table Runner – uses this technique:

3.     Think of Printed Fabric Panels Like a Blank Canvas – Intermediate Level

Glory of the Harvest - Autumn small wall hanging, what a completed project of a fabric panel for quilting looks like

A lot of panels come with a border of images that are already in the main panel.  For instance, my ‘Glory of the Harvest’ panel came with a border of printed pumpkins, corncobs, maple leaves, etc.    

  • I cut off this border…
  • Fused the shapes with wunder-under…
  • Fussy cut them…
  • And then appliqued them onto the main panel… 

I also found ‘corn-on-the-cob” fabric in the Halloween section and did the same, and then added a lot of autumn themed fabric leaves.  Then I quilted the entire panel with metallic bronze thread. 

The finished piece was not only prettier, it was also fuller and more 3-Dimensional. 

I did the same with my ‘Christmas Delivery’ panel. 

Although I was primarily drawn to the image of the white horse the outside border included an extra red ribbon, holly leaves, etc.  I liked the look, but felt that leaving it that way would look childish, rather than the magical landscape I saw in my head.

So I added a unicorns’ horn to the horse, placed the extra red ribbon around its neck, and added fairies and holly leaves everywhere.  I really loved the finished panel.

You can always add borders to the outsides of panels like this, or even sew them into quilts, depending upon the level of your personal skill and (more importantly) ambition.  When you begin adding more images into a printed fabric panel, you’ll learn how to:

  • Visualize a final result without seeing anything concrete in the immediate
  • Understand sizing and depth – don’t be too surprised if your first panels look just a little too fantastical, at least to your critical eye.  With practice you’ll intuitively understand size and distance relationships.
  • Fussy cut and applique unique shapes into unexpected places

And don’t just limit yourself to the shapes that come with some fabric panels for quilting.

Accessorizing a “blank canvas” can also include buttons, lace, rick-rack, and even permanent marker.  So look carefully at every panel and see if there’s anything you can add to enhance the overall image you’re going for.

4.     Fracture Them – Intermediate Level

Fracturing is a time-consuming and meticulous piecing project, but it’s also a lot of fun. 

Despite my general aversion to anything that smacks of a “precisionist” quilting style, I have done quite a few fractures, and continue to plan new projects.  I think it has something to do with the abstracted result. 

You’ll need 4 exactly identical images to begin with and it’s best not to use images that have discernable eyes – such as in human and animal faces. 

Natural images are perfect for fracturing:

  • Flowers
  • Bridges
  • Landscapes
  • Cars
  • And suchlike

My ‘Poppy Water’ panel was my first fractured panel, and I would definitely recommend starting with something really simple like this. 

Fracturing blurs out precise details and makes the image appear staggered and rippled.  It’s time consuming but well worth the effort.  Fractures are great for learning how to:

  • Sew in measured lines (you’ll have to sew an exact ¼ inch seam)
  • Keep track of small, abstracted strips of fabric
  • Follow a simple sewing pattern
  • Rip seams – this part’s annoying, but fractures are one of those projects where you have to be ready with the seam ripper and a grin, because odds are you’ll mix up at least one strip set

I’m going to write a blog and do a video on fracturing soon, so keep posted.  In the meantime, you can check out the book that taught us how to do it

5.     Cut A Printed Fabric Panel Apart – Confident Intermediate Level

Sometimes there’s one or two images in a panel that really draw your eye, but you’re not thrilled with the background, or one of the extra images. 

There’s nothing to stop you from fussy cutting out the images you like and constructing a new background altogether.  I did this with both my ‘Peacock Panel’ and my ‘Wynter Carolers.’ 

6.     Fabric Panels for Quilting are…for Quilting!  So Incorporate Them Into Quilts – Advanced

As I said before, many printed sewing panels are gorgeous and very life-like and much too beautiful to change in any way. 

So don’t change them, let them shine in a quilt instead. 

There are panels for every age group and any taste – whatever floats your boat.  Last year I had a lady commission me to make a horse quilt for her horse-crazy son.  She wanted it to be a queen and that’s a lot of area to cover. 

I decided to do it with 3 regular sized panels (these are 22”x44”) and 6 smaller panels. 

I incorporated colors from the panels into my borders and the result was my ‘Home Pastures’ quilt, which I think is beautiful. 

It’s also totally unique – I know there’s not another one out there just like it. 

I’m also currently working on a mermaid quilt that will be perfect for a young girl.  Once again it was the gorgeous panel that I couldn’t resist so I bought it and then I had to think about what to do with it.  I’m pretty sure any young girl will be thrilled with the result, and once again, it’s a completely unique creation! 

This is a pretty advanced technique, however.

You have to be able to:

  • Quilt
  • Straighten a quilted panel (and I do mean straight!)
  • Create your own quilting pattern – for Home Pastures I used a pinwheel design, but I had to resize each set of blocks and the strip borders as well, plus figure out the sashing lengths…
  • Sash a quilt – this is a great technique, but it can be a little frustrating
  • Coordinate colors – not always as easy as it sounds
  • Quilt
  • Be ready to get the seam ripper and the measuring tape and start over again
  • Quilt some more

Granted, a smaller quilt is less to figure out – but it still requires a thorough understanding of many different quilting and sewing techniques and styles to pull off. 

I definitely don’t recommend this type of project for a beginner, but it might be a good way for an intermediate level quilter to begin testing her wings, so to speak. 

More than Six?

These are just a few of the ways I’ve sewn with panels in the past.  And I’m sure that there’re many other ways to use printed fabric panels for quilting, and I’m sure you’ll think of them. 

Please, if you find a panel you just can’t resist, let your imagination go and your creative juices flow! 

There’s no right or wrong way to sew with these great additions to the quilting world.  Simply feel free to create!

POPPING WITH FOAM – A Professional Review of Quilting Foam

Tropical fish on a coral reef quilt. The quilt bursts and pops with 3-dimensional effect thanks to quilting foam

Quilting Foam is the most amazing invention to come along in ages!  With this one amazing product in your back pocket you can learn how to make your quilts burst and pop with 3-Dimensional effects and deep texture you can’t find in ordinary quilts.

It can be used:

  • As a stabilizer in bags
  • To create the same effect as trapunto quilting
  • Or simply as a super stabilizer instead of interfacing

I have used 2 different brands, but found no real difference between them. The first is Bosal In-R-Form and the second is ByAnnie’s Soft and Stable


Quilting Foam Makes Your Quilts Burst and Pop with Effect

The only real difference is personal preference because both are the same thickness and perform the same way. 

I mostly use the Bosal-N-R Foam because one side has a slightly adhesive surface that will adhere to your fabric when you iron your fabric onto the foam.  It only holds for a little while, though, so I always pin the two together if I’m not going to be sewing it within 24 hours.

The second reason I use this brand of foam is because Suzanna can find it on Amazon for a significantly reduced price.

Having experimented with foam in several different projects, I will now give you my vast store of wisdom on this subject. 

Trapunto Quilting Replacement

Trapunto is an Italian word that means: “popping up certain parts of a quilting design, to make it stand out from the rest of the pattern.” (It’s shorter in Italian…) 

I am really attracted to this look in a quilt. 

It’s done by placing a double layer of batting behind your project, quilting it all, and then cutting away the second layer of batting from everything but the designs you want to emphasize. 

To me, this is a great waste of batting and worse, incredibly tedious. 

As I’ve mentioned elsewhere, I’m not the most patient person in the world, and I have absolutely none for needless busy work. 

actual trapunto effect instead of quilting foam on a quilted panel with orange lilies and autumn grasses

We tried the trapunto technique on our “Fairies in my Garden” panel because we wanted to see if it was worth it.  I did the quilting and Suzanna did the trimming – actually I made her.  She has a vastly greater tolerance for busy work than I do, but even she concluded that the result wasn’t worth the time, and this was only a panel, NOT an entire quilt top! 

So we looked around for other ways to achieve the same effect without the busy work.

Experimental Alternatives to Foam

First we would put batting just behind the designs we wanted to pop out, trim them, and then quilt a 2nd layer of batting behind the entire design. 

This worked well as long as we didn’t quilt the background design too lightly.  We found that the heavier we quilted the background, and the more lightly we quilted our pop ups, the more obvious the difference between the 2 and therefore more visually appealing. 

But it still wasn’t a big enough difference to suit me. 

After that, I tried quilting the entire panel, and then adding elements that I wanted to emphasize after.  Basically I would cut out a piece of batting with the applique, then put them on together.

I did this on our Winter Wonderland Panel, when I added the trees after I had added batting to each “tree” separately, and then quilting the trees to the panel.  This was pleasing, but a lot of extra work, so I looked around for another idea.

That’s when I found foam. What a revelation!

How to Make Sewing With Foam Easier

Foam is approximately 1/8” thick and loves to be sewn.  It pretty much stays where you put it, and has a marvelous popup affect. 

Don’t use it for very small designs

It’s a waste of foam because the popup effect is lost in the quilting process.  I found this out with my “Cowboy and His Lady panel”.  I put foam behind the cowboy, his lady, his dog, and the windmill.  It worked just fine on the first 3 figures, but because the windmill blades were much smaller, and the satin stitching around the edges almost touched in the middle of each blade, the popup effect was entirely lost.  So, don’t waste time or foam putting it behind very small designs.

Cut Your Fabric ¼ inch wider than your foam shapes

When I first began using foam, I would cut the shapes right out of the foam, place the matching fabrics on top, and then satin stitch around the edges.  This is how my “Lily Pad Table Topper” was constructed.  As you can see, it works great for larger designs, but I’ve figured out a trick to this too. 

When you satin stitch around these foam/fabric pieces, you have to use a very wide satin stitch in order to cover the edges because the foam is so thick.  To get around this, I’ve started cutting my fabric ¼” wider than the foam.  This way, when you layer the foam and fabric, the fabric lays down over and covers the edge of the foam and then it only takes a narrow satin stitch to finish the edge. 

This is the technique I used around the edge of the moon in my “Night Guardian” panel.

Know when to make your own templates

Quilting foam cut-out of mermaid shape, this effect will make the mermaid burst and pop out of her quilted panel when finished

When I’m putting foam only behind certain design elements in an already printed panel, there is no way to sew it on the top as in my moon, or camels, etc.  Instead, I trace out the designs I want to pop (I make my own template), and then I use this template to cut out the foam.  Then I layer the foam behind the design feature, and quilt – not too heavily.  When I have it the way I like it, I trim away the excess slivers from the foam.

This is how I did the mermaid and the large starfish in my still-under-construction-mermaid quilt.  This works great for panels, and other images that are already printed.

Foam is also a great stabilizer for any sort of bag you want to sew  

Quilting foam helps the bag to hold its shape, and gives your project a lot of added strength.  I have found that in this application, the heavier you quilt here, the more your bag will hold its shape and stand upright. 

A word of caution about foaming a bag

I found that out because the foam is so thick it quickly makes seams too thick to sew.  I almost went insane trying to get my first media bag through my machine, even using my jeans needles, and I broke A LOT! 

The 2nd bag I made sure to cut the foam ½” narrower that the fabric with much better results.

Now I Can Pop “That” Up – and “That” Can be Anything At All

Be sure to experiment, and enjoy working with this great product.  I’m sure some of you will come up with some more creative ways to incorporate it into your projects – it really is worth it.

If you come up with an absolutely amazing way to make your quilts burst and pop, or if you discover something new about using foam, please contact us and let us know what you did and how you did it.  Pictures are great to!

Backing It Up

Mottled earth tones quilt backing over a country fence

Most of us think of our quilt backings as necessary – after all, a quilt is a fabric sandwich – but boring in a sort of: “ho-hum, who will ever look at this” way.

This is an understandable attitude, and, as only a few people will look at your backing, it’s also a truism…up to a point.

But just because most of the initial WOW factor is on the front doesn’t make your quilt backings any less important.  And there is one very important class of people who who will look at them – other quilters of course!

The first thing another enthusiast does is to flip your project over and look at the back.  This same principle applies to other crafts, like embroidery, as well.

We do this because only by looking at the “hidden” side can we really know how much work went into a project.  Quilt backings tell us other things, as well, like the skill level of the quilter, the value of the quilt, and even if the quilt is a viable winner in a quilt show.

Why Your Quilt Backings are Just as Important as Your Fronts

Creating a Firm Foundation   

Think of your backing as the foundation of your quilt.  While it is mostly out of site, it is vitally important to the each quilt’s overall appearance, strength, and durability. 

Square Footage

Despite its apparently subtle role in the appearance of a quilt, the backing is actually the single largest area of any quilt. 

This appears to be a no-brainer but it would surprise you to know that to a vast majority of quilters, the backing is an afterthought.  Our miserly or lazy justifications go something like; “since it’s only covering the back and no one’s going to look at it, any old thing will do.” 

WRONG! 

Not only is your quilt backing the largest in terms of square footage and coverage, it also will take the brunt of wear and tear during the lifetime of your quilt. 

Strength & Durability

While your beautiful quilt top is exposed only to the air, and is usually protected from people and pets, the quilt’s backing will rub up against anything and everything.  If your quilt backing starts to wear or develop holes, it means you have to patch creatively – which is painfully time consuming – or your quilt may eventually be destroyed. 

Also, your quilts are works of individual, unique, and powerful art.  You want your quilts to last as long as possible, even long enough to be handed down to future generations.

For these reasons the quality of the fabric for your quilt backing needs to be carefully considered.

This means durability and that comes from the strength of your fabric. 

I used to buy much of my fabric at Walmart (when they still had a large fabric selection), and I was always pleased with how much less they cost than the fabrics at the quilt store.  However, as I sewed and quilted with these fabrics, I began to notice some serious downsides:

brown, orange, and cream checkered quilt backing
  • How quickly these cheap backing fabrics faded…
  • A tendency to wear holes through areas that were frequently handled…
  • Frayed through seams…
  • And generally just did not wear well at all! 

That got me to thinking about the quality of my fabric versus all the work that goes into a quilt, and I came to a surprise conclusion. 

I was wasting both my time and my money by trying to quilt on the cheap. 

Pricing

Not that anyone from Princess YellowBelly Designs – and least of all thrifty me – would recommend spending exorbitant instore prices for anything, especially backing.

Shopping around and getting the best deals possible just makes good sense, but compromising on the quality of your fabric is not. 

One of my earliest – and most embarrassing gaffes – was in trying to use a brand new, flat cotton bed sheet as a backing!  Most sheets are 14 count cotton thread, and you all know how quickly they wear out when in constant use.  Sheets are made for beds and are not woven tightly enough for long lasting durability. 

Do NOT use them on the backs of your quilts!!

How to Choose the Right Fabrics for Your Quilt Backing

Despite the epic failure of my bed sheet quilt backing, it turns out that some of the reasons I had for trying it were actually viable:

  • Bed sheets are big
  • I didn’t have to piece my backings, which is a pain
  • I didn’t have to hand sew the back seams of a king quilt, which is a real pain! 

Well, the quilting world caught on to the reluctance of quilters to piece their quilt backings and they came up with a solution – backing fabric.

Ta-da! 

Quilt backing fabric comes at 108” wide, which is wide enough to cover a queen sized quilt. 

The quality of these fabrics are top notch, which means they have great durability and strength, and there are a plethora of colors and design options out there. 

And every time I open a quilt magazine, there are new colors available.  At first they only came in boring neutrals but now these lovely, time-saving fabrics pretty much cover the color spectrum. 

The cost is an average of $14.00/yd. which seems quite expensive at first, but when you do the math, it’s usually cheaper to go this way rather than buying the regular 45” wide fabric and going to the trouble of piecing it. 

For example: 

1 queen quilt is approximately 90”x100”.  So with fabric that’s 108” wide, you’ll need roughly 3 yards.  At $14/yd. that’s $42.00.  If you purchase regular 45” wide fabric you will need at least 6 yards.  At $11/yd. this will cost you $66.00 and you still have to piece it

Backing Motivations

This may sound weird, but bear with me here and you’ll see what I mean.  When it comes to backing, I think there are 2 schools of thought.  Both sides of the coin can be right, depending upon the particular project, so it’s worth putting some thought into your quilt backing needs before laying out any cash. 

1.     Functional Quilt Backings

If you want a purely functional backing that more or less disappears in relation to the beauty of the front of the quilt, I recommend purchasing a mottled fabric. 

It really doesn’t matter what color you choose or how bright that color is, the important part is the pattern.  The more mottled or busy a pattern is, the more the quilting vanishes.  This is useful if the pattern you’re quilting isn’t your focal point, or if it doesn’t make sense in abstract – such as outlining solid shapes in the front of the quilt. 

Mottled quilt backs also helps to hide all those little mistakes that we’re not admitting we make. I do this a lot.  It’s the quickest way to getting your backing knocked in the head.

Also, use a matching thread in your bobbin and the quilting will disappear even more.

2.     Statement Quilt Backings

Sometimes, though, I take me a notion and decide that the backing has to say something. 

For example, in my Home Pastures quilt – which features horses – I decided the backing needed to look like pastures too.  So I used a fabric that was covered with horses in a field, and I “fenced the pastures” by using a strongly contrasting color during the sashing stage. 

Home Pastures quilt back

It was extremely creative if I do say so myself, and it made for a visually effective backing.  The best part, of course, was that the pattern of the horses completely draws the eyes, and no one (not even me unless I’m looking very hard) can see the quilting!

If your quilting pattern is one of the focal points of your quilt, then you’ll want to choose a backing fabric with little to no pattern.

You can also use a highly contrasting thread in your bobbin, and voila!

Your backing is now visually appealing.

Disposing of Odds & Ends

If you don’t mind piecing, backings are a great place to get rid of – oops – I mean to say incorporate scraps from your stash.   You can sew these pieces together in a recognizable pattern or just sew them any which way for a scrappy backing.  It all works.

I will also often use the leftovers of a fabric from the front of a project to start off a scrappy backing. 

This helps to pull the entire project together visually, especially on smaller projects like wall hangings and table runners, and makes aesthetic sense to everyone.

A Word about Black 

I use black fabric quite often for my backings, especially on my silhouette panels, or when I really want to make a dramatic statement – like on my dragon quilt.  Black is wonderful because it can either highlight your quilting pattern if you use a contrasting thread, or vanish all your quilting, if you use black thread.

But beware!  It’s very hard to see what you’re doing!!! 

Michael rigged me an extra LED light that I can use when I’m quilting on black for this very reason.  It’s mega frustrating – at least for me – but also well worth the trouble.

Getting Your Backing Flat

Getting your backing to lay flat and smooth as you quilt is essential, but unless you have a long-arm quilting machine with rollers to hook your project into, you’ll have to do it the old fashioned way. 

Ingenuity. 

I tried all of those quilting “helps” that are supposed to help you hold your project tightly and they now live in the back of a closet somewhere.  I’ll review them eventually… 

After a lot of frustration and wasted money, I finally came up with a fairly simple method that works well for me.  Here it is:

  • DO NOT trim the top of your project before layering it for quilting
Mottled earth tones quilt backing over a country fence

The quilting itself will distort the edges somewhat and you will need to trim again after your project is quilted.  If you trim beforehand as well, you will end up cutting off a good sized edge along the outside of your quilt.  I once lost an entire border this way.

  • Always cut your backing piece and your batting at least 3” wider all the way around

This is because the quilting process distorts your project slightly. I for one have been known to quilt myself right off the edge.  Those extra inches give you vital wiggle room. 

  • Spray starch and iron on the wrong side of your backing.

Occasionally spray starch will leave behind a weird shiny residue.  It’s almost impossible to get this off without washing the fabric. 

  • Buy a cheap, thin shower curtain from your local Dollar store.

Basting spray, by its very nature, is sticky – very sticky.  It will stick to anything in the vicinity, including whatever surface you’re working on and from experience I know that it is incredibly difficult to remove. 

Laying your new shower curtain down on your working surface before you layer and spray your project will give you a no-muss-no-fuss clean up.  These shower curtains can be used over and over again.  Get one!

  • Layer your project, starting with the backing, wrong-side-up, and spray it with basting spray.
  • Layer your batting on top of that. 
  • Smooth this out as much as possible. 

Note:  It really helps if you can get another person to help you hold the batting tight as you lay it down.

  • Spray the top of your batting with basting spray and lay the front of your project down on it right-side-up. 

Get the top as smooth as possible by pulling and pressing smoothly.  Once again, another pair of hands will really help to keep your panel smooth.

  • Once the top is as smooth and wrinkle-free as possible, flip your project over to the back. 

Your backing will now look like elephant skin…but here is how you fix this. 

  • Determine the middle of your backing and gently pull up the backing from the batting.

The basting spray allows you to reposition fabric numerous times without having to re-spray.  Have someone press down firmly on the mid-point while you pull your backing straight and lay it down again.  Smooth out. 

  • Repeat as needed. 
  • When your backing is as smooth as possible, iron it with a hot iron. 

This adheres the basting spray tightly enough to hold your fabric in place without pins.  Usually.  Occasionally I do use a handful of safety pins to help hold a very large or very heavy quilt sandwich in place during quilting.

Sometimes I have to work in sections if my project is very large, and sometimes I have to lift up, re-spray, and iron again before my backing will behave.  But it’s well worth the effort!  You end up with a smooth backing and no pins!!

  • When your backing is as smooth as you can make it, flip your project and repeat for the front. 

I always do the front last because that’s the one people mostly look at.  Once you have your entire quilt sandwich smooth and ironed, it will hold that way for about one week, before the basting spray starts losing some of its moxy. 

If you think it will take you longer than this to quilt your project, I would put in a few strategic pins to help encourage it to stay smooth and flat.  Pins, used sparingly, are also a good idea if your project is the size of a twin quilt or larger.

  • Once your project is ready for quilting, start as close to the center as possible. 

Using your hands, fingers, wrists and elbows, pull gently on your fabric as you work your way to the outside.  I have found that with this method, I get a completely smooth front and back about 75% of the time.  When I don’t the pleats are almost always on the backing and is never more than a small wrinkle or bubble that is almost impossible to see due to our disappearing tricks.

Since I started using all these tips and tricks that I’ve outlined above, my projects became a lot more doable, easier to handle, visually more appealing, and a lot more rewarding.  I really started enjoying the entire process a great deal but beware – the more you enjoy it, the more addicted you’ll become!

Here’s to your future smooth-quilt-backing success. 

Piercing the Home Sewing Way

A needle sticking into the seamstress's finger - one of the consequences of sewing dangerously

Living & Quilting Dangerously

Last week I went to a Tattoo & Piercing Parlor.

It wasn’t the first time I’d been there but I sincerely hope it will be the last…and I wasn’t there to get a tattoo either.  I’m a good girl, I am!

I went to the piercing parlor to get a Daith piercing in my ear to try to help my migraines.  I confess to yelling when he pushed that needle through my cartilage – that sucker hurt.

However, as I sat there quietly bleeding, it occurred to me.  I do this to myself all the time – when I sew – and I bet you do too.

Sewing is a physically risky business because essentially we’re working with knives.  Of course, we like to give them euphemisms like scissors, pins & needles, and rotary cutters, but any seamstress can tell you…they’re really knives.

Personally, I’d be amazed to hear that there is one seamstress out there that hasn’t had a too close encounter with the sharp end of one of these supplies.  They are necessary to our work, but they can be very painful.

Addiction – And How Not to Treat It

Here again is where the whole idea of addiction can raise its head.

When I was sewing my Peacock Panel, I had to pin every flower in place before I could sew – no handy Wonder Under here.

I used long, sharp quilting pins to secure those slippery leaves to the thick background.  Those very helpful pins found no problem scraping along my forearms and jabbing into my chest as I sewed.

I’m pretty sure I yelled more than once, and when I was done, I did look like an addict with needle tracks all along the insides of both forearms. Talk about quilting dangerously.

Peacock Paradise fabric art wall hanging - a fabric art project that took us to new levels of quilting dangerously

But it was worth it.

Michael thinks I’m nuts sometimes, but even he has to admit the end result was beautiful.

That’s the gritty truth of an artist’s addiction to his/her craft.  No matter the ill immediate consequences that we suffer personally, nothing will deter us from achieving our goal of adding a bit of beauty to this old world.

Maybe we shouldn’t even want to.  Without a bit of pain no one would have ever painted the Mona Lisa, or built the Parthenon, or invented quilting in the first place.

Those Who Love Us

Speaking of my darling Michael, have any of you ever read or heard Hank the Cowdog books?  They are positively hilarious – especially the audio book versions – but when you read about Slim Chance, just substitute Michael’s name instead.

This man of mine never moves fast, leans as soon as he stops and takes forever to think things through.

To his credit, his thinking is vastly different from mine and he often comes up with a solution that would never occur to me.  He’s awesome, but I digress.

The point is that I’ve only seen him move fast 3 times:

  • When Suzanna decided an anthill was a perfect place to play
  • When the kids were playing in the ocean surf and a long dark shape showed itself in an oncoming wave
  • And when I sewed through my thumbnail

Yellow-headed pin going through a quilt into someone's finger!

The needle had pulled out of the machine and was sticking out the fleshy side of my thumb through my thumb nail.  That was not fun.  Michael really jumped that time – I’m pretty sure that I screamed loudly.  Being Michael, he promptly got his needle nose pliers and pulled.

Amazingly, while it was the first time I’d sewed through my thumb nail, it wasn’t the first time I’d sewn through the side of my thumb.

Last year, I was having vision problems in my left eye.  But I live on the edge and do quilting dangerously, so instead of stopping, I kept leaning closer and closer to see what I was sewing and actually scraped the end of my nose with the needle. Now, that would have hurt!

Consequences of Quilting Dangerously

I have a special set of quilting pins that are about 3” long and sharp as lances, consequently many times I’ve had to wash out spots of blood from being stabbed.  On my dangerous quilting journey I also:

  • Been burned with hot glue
  • Shoved hand sewing needles under my fingernail
  • And glued various body parts together

But it’s all worth it to me – because like any true addict I like the results.  I read about one quilter who had actually glued her bottom to the floor.  I found that hilarious but not surprising.

So there I am getting pierced and looking at the piercing guy.  He’s tattooed from neck to ankles and I started thinking about how many needle punctures THAT took – and he did it on purpose!  Now that’s addiction – of a different kind, but addiction nonetheless.

So maybe we’re not as insane as we may seem – when we keep on quilting despite the hazards – and we have something to show for it at the end of the day.  And, at least our needle marks aren’t permanent.

Sewing Within Your Means

Handing holding cash and coin money over purple and pink quilting fabrics sewing within your means illustration

Creating High-Quality Quilting Projects Cheaply

Sewing within your means is a challenge because, like photography, fabric art is one of those hobbies that is just not cheap.  Creating high-quality quilting projects cheaply, or at the very least for more reasonable prices, is an art form in and of itself.

It gets a lot easier if you remember two simple principles, and learn how to control one with the other.

The Paint & Potato Principle

Do any of you remember the “Happy Days” episode where Howard is sick so Marion takes charge of his Hardware Store for a day?

potato plus a bucket of paint

At the end of the day, Marion greets him by telling him that she sold out his entire paint inventory – for $1 a can.  After Howard’s near heart attack, Marion shows him the receipts, which show the biggest single day of profit they’ve ever had.

Then she explains to Howard that it’s just like baked potatoes – you can’t eat them without toppings:

  • Chives
  • Sour Cream
  • Bacon bits
  • Etc.

Poor Howard is completely confused until Marion assures him that selling paint is the same thing – you make your money on the extras:

  • Brushes
  • Rollers
  • Buckets
  • Etc.

This paint and potato principle is alive and well in todays’ quilt stores.  They have a fabric sale, which is great for us, but they’re making their money on the:

  • Thread
  • Basting spray
  • Scissors
  • Batting
  • Etc.

I want to make you aware of this and help give you the courage not to give in to it.

Series of concentric bright-colored circles corresponding to fabric sale and prices

Being a Sucker

Everyone knows how super-easy it is to just buy everything you need because you’re there, you’re into the idea, and the quilt store has everything right there for you to select.

Especially if you’ve bought a pattern and all the supplies are right there.

I fell for this salesmanship seduction last fall when I bought the 3 specialty bag patterns I used to design my media bag.  There was such a long list of supplies needed, and since I knew the sales lady, I let her talk me into just buying them, then and there.

3 $10 patterns ended up costing me $120!

It was even worse when I noticed in Walmart that they carried the exact same clear vinyl that I had purchased at the quilt store.  Only at the store I had paid $10.00 for a 10” square of this vinyl and at Walmart they were selling it for $3.40/yard and the yard was 60” wide.

I felt like I had been a real sucker – because I had been.

You’ve probably felt badly about fabric art purchases you’ve made once you realized that you got suckered into buying something at a high price, or buying something you really didn’t need.  It’s nothing to be embarrassed about, every truly passionate quilter has fallen into this trap at least once.

I do want you to be aware of the paint and potato principle, so that you won’t be suckered next time. Mastering the art of creating high-quality quilting projects cheaply depends largely upon your ability to resist these emotional impulses.

I enjoy sewing the “upper layer” of my projects the most, so I am extremely susceptible to the latest notions  and supplies that make the upper layers more fun:

  • Panels
  • Thread
  • Trim
  • Unique buttons
  • And all things which glitter

Quilt stores excel in carrying these things.  And, if we’re being completely honest, we love quilt stores.  There’s nothing quite as satisfying as wandering around in a store and discovering new possibilities.

So the girls and I have developed a strategy for avoiding the worst of the pitfalls.

The Chair Control Principle

2 20 dollar bills and a 5 on a background of purple-to-pink fabrics sewing within your means illustration

Just a few fabrics and extras can really add up the dollar signs in the cash register quickly.  Paying close attention to what you pay cash for in the quilt store will help to cut down on overall expenses.

When we find a notion that we’ve never seen before, and that we just can’t resist, we buy the smallest package of it that we can.

Then we use the information to find it cheaper – often much cheaper – online.

The same thing goes for hot-ticket items like printed panels.  We write down the information in the selvage or on the package, and then look it up on our favorite internet retailers.  This one trick alone often saves us around $20 (USD) on a single panel.

This way we often get out of a quilt store for under $100.

Not only is shopping in a chair much easier, it also gives you power and control over what you purchase, when, and at what prices.  The chair control principle will help you to regulate the paint and potato principle, and will save you time, frustration, and the feeling of being a sucker!

Problems with Online Shopping

Some things are very hard to buy online.  These include items like zippers and thread.

Thread is hard to buy because your computer screen may not be showing the colors accurately, and it can be hard to get a feel for the actual texture of the thread.

Items like zippers and certain buttons are tricky because they’re usually shipped from China and you don’t always receive what you think you’ve ordered.  Once I thought I had ordered one 9” sage green zipper.  What I got were 50-7” lime green zippers!  I’m still trying to come up with a project where I can use a whole bunch of them.

You can usually buy fabric from the computer, but it’s not a good idea to try coordinating an entire project this way.  You simply don’t have the quality control over fabrics when you’re using the chair principle.

We usually handle this by getting the cornerstone of a project – like a panel or a certain fabric – online, then coordinating the rest in a quilt store.

Our favorite online vendors help us with creating high-quality quilting projects cheaply

Listed below are some of the best sites we’ve found.  We’re always finding more, which I’ll share with you as we go along, and if you know of any great ones, please let us know.

  1. Amazon.com

This site has many advantages.  For one thing it is easy to use, even for those of us with computer phobias.  Amazon has a huge warehouse along with many independent vendors, and if you buy enough – which isn’t hard to do when you’re shopping for fabric art – you’ll be provided with free shipping.

Screenshot of quilting supplies on Amazon.com

You just can’t beat Amazon for great prices on notions, appliques, and in-bulk supplies like batting, spray starch, and basting spray.

Amazon.com is not great for competitively priced fabric, however.  You can find fabric, but it’s tricky, and you’ll usually wind up paying store prices.

  1. Fabric.com

This is our go-to for quilting fabrics and specialty fabrics like digital prints and printed panels.  They have a great site that is fairly easy to use, a huge inventory, and often have panels you won’t see in stores and magazines for months.  You can also shop by keywords, like “mermaids,” or by colors, or even by designers.

Screenshot of Fabric.com

Fabric.com is another site that offers free shipping when you make a significant dollar purchase, usually $35.

  1. Etsy.com

Etsy is a unique and beautiful site and it can’t be beaten if you want a more personal and special type of item.  You can make custom orders, and shop for finished products, vintage items, and crafting supplies.

Screenshot of Etsy.com

Because Etsy is based on a personal vendor platform – like a farmer’s market – you also get a more personal quality of service.  For instance, once we wanted silver netting and had ordered it from Amazon.  Unfortunately Amazon had discontinued that line and refunded our money.

We finally found a similar item on a hat shop on Etsy.  We contacted the owner with what we really wanted, and she was kind enough to redirect us to their main site where they had exactly what we needed – for many dollars less than we would have paid on Amazon.

  1. JOANN Fabrics

They have a HUGE selection of everything with good prices.  Plus they have continuous sales, and if you’re signed in to their e-mail, you get notified all the time. This is the best place to get your batting in bulk.

Their website is tricky and annoying, however.  You have to know exactly what you want.  The best way to take advantage of Joann’s is to save those coupons from their emails, and take them into a physical store.

  1. Hobby Lobby

They’re not much for quilting fabric, but their notions are fabulous – from all their wedding stuff, to their fake flowers, and beads and crystals.  For instance I found some small, silver poinsettia leaves there, that I’m going to use for fairy wings.

This is another frustrating website to use, but it can be done, and they also offer you large discounts and free shipping quite frequently.  One good tip is to save the packaging from notions you’ve purchased in store.  That way if you need more and you live a distance from a Hobby Lobby (like we do) you can order that item much more easily.

  1. Strapworks.com

If you’re into making projects like purses, aprons, or duffle bags, this site is impossible to beat.  They carry every type & color of strapping available, and you will pay so much less than you would at any physical store.  Then there’s the hardware.  I paid $1.00/per buckle here, instead of the $15.00 for the same thing at the quilt store.

  1. Silk Flower Factory

They have super great deals on their flowers, but you can only get them in bulk.  If you need 50 iris bunches at once – which is something like a hundred flowers – this is the place to go.

Screenshot of Silk Flower Factory

These physical vendors also help us with creating high-quality quilting projects cheaply

  1. Walmart

Walmart’s not so great on fabric anymore, though they do carry a little of everything, and I go here when I need something immediately.  The fabric quality varies though, so watch out for that.

They’re also pretty good at notions, fabric flowers, and zippers.  They don’t have a great selection, but at least you get only one!  I noticed at one of our quilt stores a can of basting spray cost $19.50!  I almost choked, since you can get the very same thing at Walmart for around $7.00.

Walmart’s website is a little goofy, so I prefer to go in personally.

  1. Thrift stores

Besides the fact that I love thrift stores, you can often find notions that are 100% unique.  From clothes with cool buttons – buy the article for 50 cents and cut the buttons off – to large scarves you can incorporate into your fabric art designs.  Thrift stores also sell T-shirts, which can be used to make T-shirt quilts, striped dresses, and straps for bags if you’re into offbeat fabric arts.

Many of them now sell baggies of reclaimed hardware.  The store itself cuts off unique or fancy buckles, hooks, or buttons, and sells them separately.  We found the coolest buckle in one of our thrift stores.  We don’t know where we’ll use it yet, but we couldn’t resist.

  1. Antique Malls

This is touch-and-go, but if you enjoy wandering in antique stores and malls, keep an eye out for unique notions or fabrics.  Antique malls can also be hideously expensive, or ridiculously cheap.  Exercise good judgement, and you can spice up your projects with old-fashioned charm for practically nothing.

Combining These Powerful Principles

If you stay aware of sales gimmicks and emotional impulses, shop smart, and order online as much as you can, you will be able to save quite a lot of money.  Quilting and fabric art will still cost, but by applying the chair control principle over the paint and potato principle you will be surprised at your incredible new ability for creating high-quality quilting projects cheaply.

Turning a Tidal Wave into an Ebb Tide

A tidal wave carrying sewing supplies; iron, fabric, measuring tape, marking pen, scissors, pin cushion, seam ripper, thread, spray bottle, and more

Getting the Best of Your Quilting Stash – Before it Gets the Best of You

You have a sewing space and sewing supplies.  The problem is that your sewing supplies will always – always – outgrow your sewing space.  Unless you start corralling clutter now, your quilting stash will cheerfully bury you under a massive tidal wave.

All quilters have a stash of some sort.

A stash is any fabric that is left over from a sewing project, or fabric that you’ve bought because you’re intending to do a project that never happens, or just fabric that you fall in love with.  For instance:

  • I absolutely LOVE all fabric that has an autumn theme, so I have a great deal of that.
  • Barb is physically incapable of passing up anything paisley, so her paisley stash is huge.

Keeping it all neat and organized is an issue that has to be answered by every seamstress.  Unless you’re one of those people who work best in an environment of total chaos, then the question of organization has to be addressed for your specific situation before you can even begin to sew.

Ways that I’ve Successfully Corralled Clutter

Over time you’ll develop your own ways to corral the mess and fuss that sewing and quilting generates.

To start with, though, I like to know what I’m going to have to store – and more importantly, where I can put my hands on it when I want it.  Having to search and search for something I know I have and want for a specific project frustrates me out the yin-yang and I become very unpleasant to be around.

I tend to buy ahead on any fabric I see that could be used in a fantasy type panel, so I’m always thinking of how I’m going to keep various materials that go with a specific project together and organized.

I also loathe dust and dusting, so I’m all about storing everything in closed containers.  Here is what I’ve learned.

Start Corralling Clutter by Defining Your Space

Look realistically at the space that is available to you.  Everyone’s situation is different and it changes with the times, so this is fluid.  I like to define how far my sewing tide can spread in the space available to me.

When you’re deciding this, look at places for your:

  • Sewing machine
  • Ironing board
  • Cutting space – typically a counter or table
  • And where you will store your stash.

For years I kept my sewing machine in the bottom of a closet and brought it out to sew with on the dining room table.  Now I have a desk where it sits all the time, and that is much more convenient.

For the first time ever, I also have the room to keep my ironing board set up permanently on my right side.  This is a huge convenience but not at all necessary.

Big canvas shopping bags to hold supplies temporarily for a particular project - corralling clutter in the short term

Large shopping bags can be used to corral the clutter from a particular sewing project.  In this case we are using two big bags to keep the fabric, notions, and batting for a twin quilt in one easily accessed place while we work on various sections.

If you don’t have enough room for a permanent style sewing setup, make sure you put everything back every time.  Otherwise it will become a habit to leave it out and soon the clutter will be driving you insane.

Keep in mind that not all of your stuff has to be all in one space. 

I store my big rolls of batting and my rarely used tubs of notions in a small closet in the spare room. Barb’s sewing “room” is a small walk-in closet in her spare room and she manages to keep all her stuff neatly organized with shelves where she stacks her fabric and a peg board on the wall behind her machine to hang her thread spools on.

See if there are any cupboards, closets, drawers, or a lazy-Susan (cupboard turntable) you can commandeer for your supplies.

What about floor space or wall space? 

I was getting incredibly frustrated with my space when Michael suggested he put up some wire shelves in the 3 foot space on the wall between the cupboard and window.  He put up 4 short shelves for me, and that has made a huge difference to my frustration levels.

I like to keep as much of my fabric in tubs as possible. 

This is because I hate dust – this solution keeps my fabric clean and – as an added bonus – easily accessible.

I took the measurements of my shelves with me to Walmart and found clear tubs that would fit in that space.  Not all of my tubs are the same size.  I use the larger ones for material and then I got a bunch of smaller ones that fit on top of the larger ones for each shelf.  In these I keep my sewing supplies like iron cleaner, fabric glue, Velcro, markers, etc.

All of these tubs are clear so that I can see what’s in them without having to take them down and look.  I also purchased a few of those plastic pullout drawer filing cabinets that Walmart carries.  I set these wherever it’s convenient.  I like to use the big, deep ones for storing fabric.

Organize the way that makes sense to you. 

It doesn’t matter if no one else “gets” the way you corral clutter; it just has to work for you.  Even if it looks like a total disaster to an outsider – who cares?  You’ll know where you’re at.

I organize by theme and color.  I have 3 large tubs of autumn fabric, one of landscape fabrics, a Christmas one, etc.  Then I have my blue/purple tub, the teal/turquoise tub, my water fabrics tub, etc.

Wire shelves to hold sewing supplies, all the clutter corralled in  tubs

Wire shelving right above my sewing space helps keep all my most frequently used supplies, notions, and fabrics close at hand and still out of the way.

Large plastic tub full of color-themed grey and silver fabric

I use these fabrics frequently, 4-5 times a year.  Plenty of time for them to get filthy with dust and lint unless they are kept in clear plastic storage tubs.

Corralling clutter with plastic tubs

A variety of ongoing projects and sewing supplies fit great into these smaller tubs.

Corralling Notion Clutter with Genre Jars

(Leiajoy came up with the genre jar name – BTW!)

Storing notions is something you need to give a great deal of thought to.  Because they’re usually smaller (like buttons and beads), or on rolls like ribbon, they can’t be stacked neatly in tubs.

I organize notions just like my fabrics – by color and theme.

A genre jar can be anything from an empty candy tub to a glass jar with a fitted lid (like the kind you use for spices in the kitchen) to a Tupperware or plastic container.

Genre jars should really be clear or clear-ish, so that you can see what’s in them, and they should also have lids (the dust, you know).  Plastic works better for higher shelves – but you can use glass if you have a place to set them where they won’t be knocked off.

For small, easily lost items my solution so far has been to use the smaller plastic containers that have a whole bunch of small compartments for buttons, appliques, my thread, beads and smaller novelty items.  (These are very nice because they’re relatively small and flat, so they can be stacked neatly anywhere.)

Genre jars are also perfect for things like my decorative ropes, spools of ribbon, etc.  And they work well for bigger buttons, and feathers.  (I know that because I’m storing feathers in preparation for a tropical project.)

Another thing I’ve found works great is a hanging shoe rack.

These are cloth tubes with sort-of-shelves inside a canvas canopy.  They’re made to be hung from a ceiling hook, and the outside has small pockets that are just perfect for shoes – or fabric flowers, or large rolls of ribbon.

Plus a hanging shoe rack can be easily hung over any door.

Corralling Clutter with the “Great Thread Roundup”

I used to keep all my spools in a large wicker basket but this was a nightmare with ends tangling up and having to dig through the entire basket to find the spool I wanted.

Now I have a tub of Aurifil quilting thread.  It’s a plastic tub with 2 layers (1 of large and 1 of small spools.  I bought this as a set and I’ve never regretted it. It’s been 6 years now, and even though I quilt with these threads all the time, it looks as though I’ve barely started on it.

Old-fashioned crystal jars with solid lids used for corralling button clutter

These old-fashioned crystal jars are my button genre jars.  They work perfectly for keeping a variety of specialty buttons which come in odd-shaped packages.

Large genre jar made from a plastic snack tub for holding large and bulky sewing accessories like large ribbons rolls, yarn and faux feathers

Junk food hath a few rewards.  One of them being that this once-upon-a-time cheese ball jar has, after being well-washed, pressed into service as my trusty genre jar of odd-shaped supplies like a roll of yarn and faux feathers.

Arguably my favorite method for corralling clutter – ever!  These small tubs are flat, simple, and hold those supplies that really tend to run away from you, like beads.  This is also my preferred case for regular spools of thread.

I also buy a lot of specialty threads, like metallics and variegated, so I bought a deep plastic thread tub with plastic spool holders built in.  This keeps those nicely corralled.

For leftover regular sized spools, I use the same plastic containers I use for my beads and buttons.  I have 4 of these and I organize them by color.  When I need a certain color, it’s only the work of minutes to find it.  These are great because they stack easily and neatly and keep the dust off of everything.

Some threads don’t have a tie-off built into the spool.  You can either stick them down with tape – a major pain – or store all these spools in a separate tub to minimize the damage.

Corralling your Sewing Supplies

For the sewing supplies that I use on an almost daily basis, I purloined a Tupperware tub from my kitchen that had lost its lid.  In this I keep my scissors, pin cushion, rulers, corner turner, seam ripper, etc.

Besides being real handy, this topless solution allows me to simply grab whatever I need without bothering with lids.

Corralling Your Patterns and Books

You will inevitably end up with a great many patterns, books, and even plastic bags with your applique pieces.  My system is to keep all the books on one half of a shelf on the girls’ business bookshelf.

The patterns that come in in Ziploc bags – and the applique shapes – I file in a large plastic basket that I keep in the same closet as my batting.

Here’s to Your Success in Corralling Clutter!

Whatever storage system you eventually adopt you can be sure that the ebb tide will sooner or later swell to a tidal wave and threaten to overwhelm someone else’s space.

When this happens, the only thing to do is go through everything and sort like crazy.  You can’t keep everything so you have to be ruthless.  Give your throwaways to friends, or a thrift store, or your quilting guild, etc.

Plastic tub filled with sewing supplies used for corralling clutter

I can’t say it enough – clear plastic tubs are the way to go when it comes to corralling clutter.

Plastic candy tubs are used to hold specialty ribbons

These flat plastic tubs once contained Christmas candy.  But they are flat, with tight-fitting lids and they stack beautifully.  I generally use them to store odds and ends like specialty ribbons and appliques.  

If you don’t you’ll end up drowning under it all and that wouldn’t be very nice, now would it?

You will eventually develop a kind of working rhythm, but it’s always worthwhile to clean up every time you finish a project.  You’ll be less frustrated, and your clean-up won’t be such a major pain!

All That Glitters is…Metallic Thread

Quilted mermaid with a treasure chest in a coral reef panel

A Comprehensive Guide to Working With Metallic Threads

Metallic threads are a wonderful, if frequently frustrating, addition to the world of quilting.  Here we’ll talk about:

  • Why we love metallic thread
  • How to overcome the problems metallic threads cause
  • And what types are available

The Science behind Glitter…and Metallic Threads

As all you fashionable ladies know, adding accessories to your fancy outfits can take an ensemble from nice to great in one fell swoop.

If your accessories glitter, that’s even better!

A little glitz really adds a LOT of bang for your buck.  A gold necklace can take a black sweater from austere to rich, or a string of pearls can soften up a business suit.

Some of this is the human appreciation for beauty.  Some of it might be the added perception of value – if it glitters, it must be worth more.  I tend to think that a lot of it is the child within all of us, reaching out for something sparkly.

However it works, just know that most people enjoy sparkles, glitz, and glitter.

Quilted mermaid with a treasure chest in a coral reef panel

This picture of our mermaid in a tropical sea represents why we sew with metallic thread.  The glitz and glitter can create an incredible feeling of 3-dimensional life when working with 2-dimensional mediums.  The question is: “How do I achieve these results?”

Metallic threads are the quilting world’s glittery accessories, and they provide the exact same kind of instant love and attraction for quilters and non-quilters alike.

Metallics aren’t appropriate for every project, but it’s amazing how many places you can add them. And, just like your fashionable bling, they focus the eye, take your project up a bunch of notches, and make others “ooh” and “ahh” over the amazing talent of you.

The Problem with Metallic Threads 

I don’t believe that “no good deed goes unpunished” but I do believe that for every wonderful thing in a quilter’s life – there is a downside.

  • Sewing machines make sewing 100 times easier – until they break down
  • Velvet adds texture and depth to a project – but you can’t iron on it
  • Metallic threads are beautiful – but they are very challenging to sew with

Sewing with metallic threads can drive you zazbatt, because they have an annoying tendency to break, or strip out in the needle’s eye.

I first tried sewing with these sparkly threads about 5 years ago, and I quickly gave it up because they made me want to commit seppuku.

At the time I swore to heaven I would never, ever touch another thread that had a touch of glitz.  However, like all addicts, I eventually got pulled back in because these threads are so very beautiful.  This is where the closet masochism of quilters comes in.

Things in the quilting world had moved on since I’d given up metallic threads, and the new products convinced me to try again.

Different kinds of metallic threads in primary colors

There’s huge variety available to quilters when it comes to choosing the right metallic thread.  From cheap spools that can be found at Walmart, to designer quality only found in quilt stores, there is glitz and glitter available for your budget.

Time, trials, blood, sweat, and tears taught me a few things about using these diva-level beauties, and here is what I learned.  There are two major tricks to handling metallic threads without going entirely insane:

Use the Right Needles

They now make special needles just for metallic threads.  How awesome is that?

Metallic thread needles have been manufactured so that the problem of your thread being stripped as it goes through the eye is greatly reduced.  (I’m not sure how this works, but I sure love the results.)

Some brands of metallic threads are more prone to stripping than others – particularly monofilament metallic – but these needles make the process much more enjoyable.

They’re also widely available, from quilt stores to Walmart.  The most easily available metallic needles are made by SCHMETZ in size 80/12.  You can get needles for metallic threads in various sizes, like any other needle, but I prefer the size 12 needles for my topstitching because they leave smaller holes than the larger ones.

Irridescent purple, gold, and silver holoshimmer metallic thread

These Sulky Holoshimmer threads are the most beautiful metallic threads available today.  However, they are the most difficult to work with.  Do not attempt to use if you are a beginner, or if you don’t deal well with constant breakage in your thread.  

Desperate Times Alternative

Once, when I needed these wonderful metallic needles very badly and the stores were out, a clerk suggested that I try the Jersey needles – also made by SCHMETZ – and surprisingly they work almost as well.  Jersey thread needles are designed to handle slippery fabrics and delicate thread, so I keep a package as back-up.

Proper Bobbin Techniques

The breakage problem with metallic threads can be largely mitigated by working with your bobbin tension and the thread you use in your bobbin.

When I first started sewing seriously I always used the thread I was using in the topstitch line for my bobbin thread, and I almost always left my bobbin tension at its default setting.  I eventually discovered that this is seldom a good idea, and never, ever when you’re sewing with glitzy threads.

*Note: These bobbin rules work for any type of lightweight or monofilament thread, especially invisible thread. 

Finding the Right Bobbin Thread

One nightmare I lived through was using the same metallic thread in the bobbin that I was using on top.  Not only was this a huge waste of this pricy thread – it snarled up within a few inches.

Eye of a fairy quilted with silver metallic thread

Sometimes all you need is a single spot of metallic thread.  On this large panel we used silver metallic thread only in the eyes of the fairy.  This is also a great way to start for beginners – but here’s a tip, loosen up your tension.  If you make a mistake in an eye, and tear the fabric when pulling the stitches, you’ll wreck the entire panel.  (Which might have almost happened with this Sweet Rose quilt – only we don’t admit to it!)

I also found that threads made especially made for bobbins like the Bottom Line threads, didn’t like sewing with the metallic threads.

Neither did Coats thread.

Finally, after a lot of experimentation, I found that for my machines, the best combination was to have a metallic thread on top, and AURIFIL quilting thread in the bobbin.  Since all machines a little different, you will need to experiment with your own on fabric scraps to see what works for you.

The Right Bobbin Tension

Even with the threads right, your metallic thread will still break if you don’t adjust your bobbin tension.

Again, this will vary with each machine, but on mine, the default tension is 4.  To successfully sew with metallic thread, though, I have to lower the bobbin tension to 2.

Play around on a scrap piece of fabric until the threads are pulling evenly through your machine.

Copper and gold metallic thread by Coats

These beautiful colors work well on many different types of projects, and are almost as easy to sew with as normal threads.  

*Side Note on Scrap Experiments:  Your experiments will be useless unless you’re sewing on a scrap that is very similar in texture, fabric, and thickness to the project you’ll be working on.  I try to keep a few scraps from my cutting for experimenting on each project.  For example, if my project has cotton fabric on top and bottom, and 2 layers of batting, then I’ll make my scrap piece the same.  This way you can get a much better idea of how the thread will perform in this instance.

What’s Available in the Wonderful World of Metallic Threads

Quilters have obviously clued into the beauty of metallic threads, since there are now many more brands available, and, as you would expect, they have different applications.

  1. COATS

As of now, Coats carries gold, bronze and silver thread.  Their thread is heavier so that it shows up more when you’re straight stitching.  I use these when I want a very definitive look to my quilting – like when I’m highlighting.

  1. SUPERIOR THREADS

This company now has a large inventory of metallics, and the last time I was in the quilt store, I noticed that they even had some variegated colors.  I’m thinking hard where I can use them so that I can justify buying one or two.  This is a medium weight thread and works well when you have areas where you require heavier quilting like satin stitching.

  1. ULT PAPOS

This thread is made in Japan, and is a nice mid-weight thread.  However, I’ve only found it in the size of Serger spools, and this doesn’t work well on my machine.  You can overcome this irritation by spooling the thread onto an extra bobbin, and then using the bobbin as though it were a topstitch spool.  ULT Papos does make very nice rich colors like royal blue, true red, and Christmas green.

  1. YENMET

This thread also comes from Japan, and comes in smaller spools of 500m.  Once again, it’s a mid-weight thread with lots of rich colors available.

  1. SULKY HOLOSHIMMER

The secret to these threads are in the name – they shimmer because they’ve got lots of tiny iridescent variegations throughout.  I use these when I’m doing fantasy panels like mermaids and fairies.  These threads are my personal favorite because of the amazing colors – but they do have a downside, they break…a lot.  And there’s really nothing to do about it since this is an extremely lightweight thread, and very thin.  I often compare it to tiny strands of tinfoil.  It’s also quite stretchy and so it also strips more easily than the other threads, but if you’re wanting to create an ethereal effect, this is the thread to use.

Coats metallic threads, copper, gold, and silver

Coats Basic Metallic Threads

Large spools of metallic thread in purple, red, green, and blue

A Mix of Metallic Thread Brands

Royal purple thread with flecks of metallic gold thread

Either Yenmet or Ult Papos (the label’s long gone)

Iridescent blue and green variegated metallic thread

Sulky Holoshimmer (this is the thread used on the mermaid)

There may be other manufacturers out there, but these are the ones I’ve found and use all the time.

One Final Note 

No matter which thread you choose to sew with, you will have to dig deep for extra patience.  You can’t zoom along when you sew with these (in fact I recommend setting a low motor speed if your machine has that function), and no matter how careful you are, there will still be more breakage that with regular cotton threads.

I always try to sew with my metallic threads in the early morning, when I’m fresh and my patience meter is full.

Super large spool of red metallic thread

Even though metallics pose a real challenge, I would encourage you to try them, because as I said at the beginning, the bling they provide will take your project from merely great to effortlessly awesome.

 

What is the Most Beautiful Fabric Available for a Quilter?

Beautiful Batik fabrics in blue, aqua, turquoise, and purple

Bali Batiks

If you haven’t already heard of beautiful batik fabrics you’re in for a treat.  They are the most gorgeous fabrics available to quilters at this writing.

There are a plethora of gorgeous fabrics available under the heading of “batik,” from metallic rinse to patterns to semi-solids.  The most beautiful of them all are Bali batiks.  Unfortunately, they’re also the most expensive.

So maybe the question is “how do I use these beautiful batik fabrics without taking out a second mortgage?”

That answer is a bit longer and more involved, so to answer it we’ve written a long and involved description of the most beautiful fabrics available to quilters, and the best ways to buy them.

Modern History of the Evolution of Quilting Fabrics

When I first started quilting – way back in the good old days – the only fabrics available were cottons, some patterned and some solid, and I got them mostly at Walmart.  I really didn’t see the point of spending so much more money on fabric, especially as it was “just” cotton as well.

However, I lived and I learned.

I first noticed batiks about 20 years ago, and once I’d tried them, I gave up the old cottons. I think droves of other quilters did the same, as it wasn’t very long before Walmart drastically started reducing their fabric selections.

Artistic Value

The differences between the regular, old school fabrics and beautiful batiks is huge, and once you’ve tried batiks you’ll see this for yourself.

Difference #1: Colors

Batiks are gorgeous. (I will be repeating this, as it is absolutely true.)

Batiks come with deep, rich colors, and they are always patterned, usually in swirls and sweeps.  It looks as though the colors have been washed over the fabric with water, and this is essentially how it’s done, using salt as a permanent fixer for the vibrant dyes.

This is oversimplified, of course, but you get the idea.  You can go to this incredible video to see how batiks are made in more detail.

Many batiks are “only one color,” but that single color will vary from dark to light, with spots, streaks and swirls all through it.  Most batiks, however, have more than one color, and this really ups the possibilities for you in coordinating your fabric choices.

The combinations are truly endless!

Difference #2: No Right or Wrong Sides

The dyeing process leaves both sides of a batik fabric with the same saturation of color.  In essence, a batik does not have a right or a wrong side – which makes it very handy when you’re cutting out directional pieces.

As a person who makes frequent mistakes, I cheer this feature times ten!  If you cut one wrong you only have to flip it over.

Difference #3: No Pre-Wash is Necessary

I don’t have to wash batiks first before I use them.

The old cottons would lose a lot of color and had significant shrinkage value, leaving fabric artists literally no option.  A fabric that had not been prewashed could easily destroy a quilt.

Batiks benefit from the permanence of their dyeing process which makes them:

  • Nearly fade proof
  • Shrinkage is virtually nil
  • Small chance of bleeding (except in some of the darkest red and orange colors)

When I’m using mostly batiks and other high-grade quilting cottons there isn’t enough risk for me to go to all the work of washing, drying, ironing and starching every piece I buy.

Barb still does this, bless her heart, but she’s older than I am and more set in her ways.  She’s also more patient, so maybe we should all take a page from her book. She snips off a corner of every piece that she washes, and then she can tell instantly what has been laundered and what hasn’t, which I think is extremely clever.

The Major Drawback

Beautiful batiks do have the drawback of being more expensive than regular cottons but there are ways of blunting the pain of this.

First of all:

I try to buy only what I need with maybe an extra ½ yard as a buffer if I make a mistake.  If I don’t make a mistake – or only make small mistakes – the extra goes into my stash.  The other benefit to this is that soon your stash will be big enough that you’ll seldom have to buy anything for smaller projects like wall hangings and table runners.

Always check your stash first, before you head for the quilt store.

Secondly:

Check the sale shelves first.  Most quilt stores have fabrics that aren’t selling well, or that have been discontinued by the seller, and if they meet your needs, you can save a bundle on fabric.

This is where I almost always get my backing fabrics.  I also don’t use batiks on the backs of my projects, it’s just too expensive, but on the sale shelves I often find very good quality fabric for half price of less.

Many fabric companies sell extra-wide material, up to 60” wide specifically for backing material, and while the dollar figure is higher $16-$20 a yard, you also need less and will need to do less cutting and piecing.

Orange beautiful batik fabric

This beautiful batik is a prime example of a “single color” batik fabric.  Several different shades of orange swirl and star through it, fading from almost white through to a darker color in the low-tone highlights.

 

Layered fabrics mostly beautiful batiks in ivory cream to dark red shades

This is an example of how beautiful batiks can work together to make something great.  Only one fabric – the dark red swirl – is not a batik in this picture, yet it works beautiful with the others.

 

Orange, brown, and cream beautiful batik fabrics

The same project used multiple batiks and regular quilting fabric.  Here the pattern is coming together, with edging down in embroidery thread which has the effect of pulling the dark colors of the different batiks through to the front.

 

Cowboy on a horse against a sunset made of beautiful batik fabrics ranging dark pink to bright orange

Batiks look especially amazing when used in landscapes, or like this example, with true black fabrics.  The quality of the fabrics is approximate, but the solid black figures serve to make the beautiful batik sunset glow.

 

Beautiful Batik fabrics in blue, aqua, turquoise, and purple

Batiks can be used with other beautiful batiks to create incredible layers within a project.  The turquoise, aqua, and purple batiks above were used in a large landscape quilt to add an “ocean” layer.  

Thirdly:

Check your quilt stores’ website regularly for sales.  Mine often has 10% – 30% discount sales on featured batiks.

Barb always tells me about these, as I always forget to check.

Lastly:

Search on the Internet for fabric websites with good deals.  My favorite is Fabric.com.  They have a great selection and typically sell fabric for anywhere from $1-$4 cheaper per yard than the quilt stores.

Amazon.com also carries a lot of fabric, as does JoAnn’s Fabrics.  So shop around.  Even a few dollars less per yard can make a big difference if you’re shopping for a queen size quilt, etc.  Most of these sites will also offer free shipping coupons periodically, and sometimes if you purchase enough dollar value in product you will also get free shipping. J

Bonus Tip:

I forgot to mention that Nancy’s Notions has fabric on sale in its catalogue a number of times per year, and these are a really good deal as well.

Also if you subscribe to Nancy’s Notions magazine you will get a flyer a couple of times a year with their leftover stock on sale, sometimes for as much as $5 a yard.  This is the long-distance version of a sales rack, and they are not to be missed.

One last thing, (for real this time):  

The difference between Bali batiks and all other batiks.

Bali batiks come from the island of Bali and are hand-dyed by women, which as you would expect, make them more expensive.  They are also even more gorgeous than “regular” batiks.

They are the crème de la crème of the fabric world.

And I don’t usually buy these unless I can’t find anything else that comes close to what I need – mostly because I’m cheap.  But if money is no object for you then go for it.

Your projects will have the most gorgeous fabrics available and will absolutely glow.

 

The Road Less Traveled

a road less traveled in a yellow wood

How My Road Less Traveled Led to Fabric Art

At my high school graduation Robert Frost’s poem “The Road Not Taken” was prominently displayed in the auditorium.  This was the first time I had seen this particular poem and it resonated deeply within me.

It was probably because I had a rebellious gene passed down to me by generations of forbears that had resisted being physically or mentally imprisoned.

I decided then and there that no matter what I did on the outside of my life, my inner life would always be free – I would always follow the road where few others had gone before.

It was a decision that would come to define my life as “unconventional.”

Way Leading on to Way

My liberated attitude resulted in my having quite a few unconventional adventures, and dealing with the fallout and consequences of those adventures:

As you may know from your own life experiences, an adventure is something exciting and dangerous that happens to someone else and always turns out right.  When it’s happening to you it’s just plain terrifying and dangerous and there are often unpleasant consequences.

  1. Adventure: Spending two months on a short-term mission trip deep in the heart of the Amazon Rainforest
  • Consequence: Nearly dying from malaria
  1. Adventure: Putting myself through university to get a teaching degree at a time when my entire family all felt that higher education was not something a good Mennonite girl did
  • Consequence: I became fiscally independent
  1. Adventure: Spending my first year teaching on a Cree (Native Canadian) Reserve in the Northern Bush
  • Consequence: Handling a problem child who – at age twelve had a serious drug problem – and never, ever losing control of a classroom during the rest of my career
  1. Adventure: Teaching on a Hutterite Colony, grades K-9 in one room
  • Consequence: Discovered that I best liked being my own boss and in charge daily program
  1. Adventure: Spending a year teaching at a school for American military kids right on the DMZ in South Korea
  • Consequence: Insomnia – the constant raid drills and tension of living just a few miles from one of the most dangerous borders in the world left a lasting impression

The Road Not Taken

Poem by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference.

  1. Adventure: Reluctantly being goaded into sending a letter to a man in America that one of my fellow teachers from Korea knew
  • Consequence: Marriage
  1. Adventure: Moving 2,000 miles to a new country and completely different culture (if you want to change cultures try moving from liberal, proper Canada to rough-and-tumble free-thinking Arizona ranch country!)
  • Consequence: Really, really like being my own boss
  1. Adventure: Raising 3 kids and deciding that, once again, the road less travelled and best for us all would be homeschooling them
  • Consequence: Brilliant, free-thinking children
  1. Adventure: Moving my family from Arizona to Colorado
  • Consequence: Learning to weed
  1. Adventure: Deciding to pursue quilting and fabric art full time as my little chickens graduated their high school and began pursuing their own lives
  • Consequence: Discovered I hate matching corners and love making my own patterns

Which is why we have to make adjustments and take detours on our life’s road.  As the poem so rightly puts it – “As way leads on to way, I doubted I should ever come back.”

Where it Bent in the Undergrowth

Where I started from is so far from where I am now, that an outsider would be left bewildered. But from the inside, my life’s journey has simply been way leading onto to way as I made the best decisions I knew out at every crossroads.  Robert Frost really nailed this concept because it is everyone’s story.

In my case, simply because I have that one rebellious gene that just hates being told what to do and how to do it, I wandered off into interpretive quilting and creating my own designs.  In other words, fabric art.

I will freely admit here that I get a real kick out of knowing that I have created something that is uniquely mine.

I deeply enjoy taking something that someone else has come up with, and figuring out a way to do it quicker, or easier, or cooler. J For instance, my girls needed a briefcase sort of bag to take to a conference, so I went to the quilt store and found 3 different patterns for:

  • A diaper bag,
  • A makeup bag
  • And a classmate bag for pens and notions

Then I took aspects of all 3 and came up with the media bag that is featured in this website.  The girls took it to their conference to test drive it and pronounced it “awesome”!  I deeply enjoy doing this.  I like to learn something new, like fractures, and then take it up another level or two.

Doubting that I Shall Ever Return

I would really like to encourage all of you to do the same, both in your lives and your quilting adventure.

If you’re going to live, live your own life the best you can, taking the road which is less traveled and, sometimes, much more difficult.  Because, in the end, what’s in your heart will be in your life, and the roads you’ve traveled will lead you where you need to be, rather than where other people think you should be.

As another example, I have to say that I find much of the “modern” patterns, colors and material choices less than inspiring.

I particularly loathe the combination of the pale teal and anemic coffee brown that is all the rage nowadays.  I also loathe the boring blocky shapes that they make out of everything – like strawberries and cats.

These colors and shapes really offend my sense of beauty.

You may have noticed that I lean towards bright colors, flowers, fantasy, and bling, so that’s what I sew.  It helps a lot that Suzanna and Leiajoy think the same way I do and that Suzanna is the Queen of Bling.  If you view much of our stuff, you will see that we are liberal in our use of “notions”.  I love what they add to a project!

So, feel free to express your individuality fellow travelers. You’ll have a few wrecks, but many more successes!

“May the road ever rise to greet you”