The Bling Blog – Create More Beautiful Quilts with Accessories

Head of a wise man king

Just like a lady getting ready for a date, accessories really help amp an already beautiful quilt into the realm of fabric art.  When a woman wants to feel really beautiful and confident and draw attention to herself, out comes all the beauty accouterments from makeup to jewelry. 

And it works!!!  Of course it does or we wouldn’t bother. 

Elevate a project from ordinary to extraordinary with a few easy bling tricks

It’s also really helpful if the woman underneath the bling has a beautiful soul as well, because then the bling enhances her true beauty rather than working to disguise what’s missing. 

This is the same principle we use when we decide how to accessorize our fabric art projects.  In order for bling to work in fabric art the real beauty should already exist in the quilt itself.  You achieve this by:

  • Choosing the best quality fabric you can afford
  • Paying close attention to colors, thread, patterns, stitching, etc. 
  • Using the best possible quilting techniques
  • Loving your project (it really does show, even though there’s no way to pin this quality down with a how-to!)

Once all of that is in place and done, then you can start having some real fun with all the bling.  Here are some of the things I use quite regularly to help my fabric art POP.

Appliques

Appliques are either shaped pieces of fabric or machine embroidered shapes that can be sewn over the front of any fabric from clothes to potholders to quilts.  Appliques are by far the easiest and fastest way to add interest to any beautiful quilt project. 

You can buy the embroidery patch appliques – especially for kids and babies – at any arts and crafts store, or Walmart, and they’re really cute and adorable. 

Years ago, when my son was a little boy I made a Suspender Sam quilt for him and in each square I put in a store-bought little boy applique.  It was absolutely adorable and Aram wore that quilt out over years of little-boy hard-loving. 

Or, you can make your own. 

This technique is slightly more involved and advanced than store-bought appliques, but it gives you a much greater range of options.  I’ve come a long way since the Suspender Sam quilt, and now I make most of my own appliques.

To do this simply pick an element that you want to applique, like birds, soft-fuse them, fussy cut them and then stitch onto your project. 

Fussy cutting is nothing more than cutting out the shape you want to applique.  I give a detailed list of instructions on how to do this in my “How to Applique Fabric Art Quilts with Confidence” blog.

My 2 best examples of this are my Tropical Reef panel, in which I used almost 200 appliques – I might have gone a little bit crazy there – and my Dragon quilt.

HINT:  Make sure you have really sharp scissors, especially little ones that are sharp at the tips.  This really helps to get those little tiny shapes like noses and fingers sharply cut.

Fabric Flowers

Many people think of fake flower bouquets as tacky and so did I for many years.  Then they started making them out of silk, and what a tremendous innovation that was.  Just not for setting up as a bouquet, because the leaves get super-dusty, and then you’re back to tacky.

Where I love to use silk flowers and leaves is on my landscape wall hangings and beautiful quilts. 

Not only are they soft and easily sewn, they are incredibly life-like, and I figure, why go to all the trouble of cutting out tiny little pieces of fabric and appliqueing them, when you can just applique a silk flower? 

Of course, I soft-fuse all of my flowers and leaves first because sewing one of these without it will just cause it to tear and fray.

This is one of the articles I’ll get to eventually, but for now here’s the bird’s eye how-to on fabric flowers and leaves.

First, strip all the stems and veins off of your silk flowers and leaves.  These are made of plastic and don’t work on fabric.  Just pull gently but firmly, and the stems and veins usually strip away just fine.  Plus, it takes a lot less room to store these than if you left them the way they come from the store.

Next cut out a piece of soft-fuse approximately 12 inches square.  This is a workable size. 

Now lay it paper side down on your ironing board and then lay your flowers and leaves on the rough, upper side.  Lay these down right-side-up and as close together as possible without overlapping them. 

Finally place a piece of wax paper over all and press with a hot iron.

Hold the iron down approximately 30 seconds longer than you would on regular fabric so that the heat can penetrate all the way through the thicker leaves. 

Wait till completely cool and then peel off the wax paper and the paper backing.  Do this carefully so the soft-fuse will not lift away from the leaves – it usually doesn’t but now and then….  

Use a sharp-tipped scissor to trim any Soft-fuse excess from between petals, etc. and then position your flowers and leaves on your project right-side-up and press. 

I mostly stitch these down with a narrow blanket stitch and voila – a beautiful, life-like applique!   Silk flowers are fairly cheap and affordable, and are available in a wide variety of stores. 

Trims

By trims I mean ribbons, lace, rickrack, braids, ropes, etc.  Basically anything that comes wrapped around a little cardboard spool. 

Your options here are almost endless and there’s always something new. 

Don’t forget to check out the DIY wedding decoration aisles at arts and crafts stores like Hobby Lobby and Michaels – they have tons of stuff as well.

I’ve used things that weren’t really meant to go with fabric, like raffia string, faux paper grass, and feathers as trims as well – just be careful because you’ll never be able to wash the finished quilt. 

Underwater corral reef - very busy example of a background in one of our landscape quilt designs

A word of caution here – you can overdo trims. 

Trims should be used to enhance certain design features and to draw the eye to things you want noticed on your already beautiful quilt.  This is especially true of the bling trims – the shiny sparkly ones. 

Don’t over-use these.  If you look at my Coral Reef panel, you’ll see that I put on almost 200 appliques but I only used the bling trim in 4 places.

That’s because bling trim can become overwhelming.  I also used bright multi-colored thread-like trim as sea grass in 2 places, which really helps to give the illusion of the sea but you don’t really notice it at first because it’s not shiny. 

So by all means BLING, but with discretion. 

Trims are also great for covering up mistakes or stuff that just doesn’t look the way you thought it would. 

It’s the seamstress’s version of sweeping something under the rug and you should not be surprised by how often I do this.  A great way to use sparkly trims is to wait until the end of the project, as you’ll then know what needs to be hidden.

Buttons & Beads

I LOVE these!!!  They come in almost every color and shape imaginable, are relatively cheap and can be made to be almost anything you want. 

Buttons & beads are hard to corral – learn how to do it easier

Common ways to use buttons and beads to enhance landscapes panels and beautiful quilts include:

  • Buttons make perfect centers for fabric flowers (since once you remove the plastic supports these flowers just have a little hole in the middle.) 
  • Buttons can represent the sun
  • Depending upon their shape beads can be
    • Rocks
    • Shells
    • Trees
    • Windows
    • Cobbled streets
    • Etc. 

Just anything your imagination can concoct! 

Buttons are usually more expensive because they are sold by the card, or little packages with 6-8 buttons for the cheaper ones.

Beads now – I have found large packages of them at Hobby Lobby that are very cost effective and in any combination you like.  Beads also often come in themed packages – amber and red, blue and turquoise, shells and pearls, etc.  This is my favorite way to quickly fill up some gaps on a mid-to-large sized project.

NOTE:  Buttons and beads need to be sewn down very tightly to stand up to the years they’ll be expected to do duty on your amazing fabric art project.

To make sure a button or bead will stay sewn on, use double thread in your needle.  Then sew through at least 5 times to make sure it’s tight. 

A little trick here – before you go down the last time, slide your needle between your button/bead and your fabric and wrap your thread around the existing thread about 3 times (tightly) and then go down to the back of your fabric.

Tie off by threading your needle through a loop of your thread twice instead of just once to make your knot and do this twice so that your knot will never come undone. 

If my button is quite heavy or bulky I also use fabric glue behind the button and also put a dab on the knot at the back.  It dries clear and invisible and really reassures that that bling won’t come off. 

This is especially important if you have small children around.  Kids will pull on lumpy, shiny things, and if they get them loose, they’ll put them in their mouths.

Other Stuff

These are things that don’t fit in any category…because they’re not actually made to be sewn onto fabric – but I do it anyway. 

For example, as I was perusing the DIY wedding aisles at Hobby Lobby, I came across these silver leaves that are meant to be used in bouquets.  They’re not solid – just the outside shape and veins with some curlicues here and there, all in silver and in different sizes. 

I stood there and looked at them for a while because I was very drawn to them, and eventually they talked to me and told me they wanted to be used as fairy wings.  So they will be! 

Into the “other stuff” category you could also place jingle bells, feathers, decorations for any holiday and reclaimed jewelry or hardware. 

I used the glass flower off of one of Suzanna’s old hair tighties as the center of my shamrock table topper, and I’m using a belt buckle as a tie for my silver rope on my mermaid quilt (coming soon). 

So just look around and keep your imagination wide open.

Thread

You might not think of thread as an accessory or a bling-up aid. 

The truth is, however, thread and how you apply it, can make a HUGE difference to the finished look of your project.  There are hundreds of colors out there for you to choose from and many different types. 

If these colors aren’t blinged-up accessories, then I don’t know what is!

The ones I use most often for bling are the metallics, variegated, crochet and embroidery threads. 

Once again, take a look at your project and see if there’s any element that can be enhanced or brought out by thread.  You can make it quite heavy as in a satin stitch, or barely there. 

In my mermaid quilt, I’m using a variegated metallic thread to sew in waves, but only in a single line of straight stitching.  The sparkly edges on my “waves” won’t jump out at you, but they’ll be there, gently adding sparkle and movement. 

I’ve just purchased a pack of glow-in-the-dark thread and am trying to think of a project where they could really shine – pun intended.

And don’t forget yarns.  They come in a plethora of colors – even variegated and can be used almost anywhere.  You can’t sew most through your machine, but you can stitch them down with a zigzag like some kind of super-skinny trim.

Chiffons

Here comes the bride…

Chiffons, are those see through, very fine netting material you can find in most fabric stores.  They come in all colors, many different shades of the same color, and many of them have sparkles and designs on them. 

They can also be called organza fabric, and some are just netting – most chiffon and organza is opaque with no actual holes. 

Chiffons are most often used for fancy dresses like prom, wedding, and evening dresses, but they make nifty highlights for your projects. 

I most often use them when I want something to appear mystically magical, or to blur images. 

  • I used pink sparkle chiffon on my main mermaid’s tail, and it made that beautiful design into magic. 
  • I’m planning on using different colored chiffons on all the rest of the mermaids on the quilt as well.
  • I used a clear sparkle chiffon to cover my Christmas stars. 

You don’t need a lot of chiffon to pack a pretty gentle punch.  Also, Suzanna has a fabric flower-making kit (Kanzashi) and we use those forms to make chiffon flowers that we add to our projects as well.

Lights

I have personally never used lights on a project before but, like me, you have probably seen those Christmas kits that include lights. 

I really like the look so Suzanna and I spent quite a bit of time on the Internet looking for them, but could find none anywhere.  We eventually purchased a set of 6 different colored strings of fairy lights that I want to use in a number of different projects. 

Since I was having a hard time figuring out how to attach them to my projects, I took my projects and the lights to our local quilt store and asked the ladies for their ideas – and I got them!

I haven’t done it yet, though, so I have no steps or tips.  Watch for upcoming articles, hopefully.

Bling it Up – Create More Beautiful Quilts

In conclusion, don’t be afraid to use unorthodox objects for your projects as well as the “normal” things you can find in the fabric section. 

Most times it’ll be a combination of tradition and radical, normality and uniqueness, that creates a finished effect that dazzles and reflects some type of realism.  Better to create a beautiful quilt that shines too much than a quilt that doesn’t shine at all.

Don’t be afraid to experiment, and definitely don’t be afraid to try new things. 

You may have a few wrecks along the way, but that’s half the fun – and you can always submit the tales of wow and disaster to our Seam Ripper Championships. 

Have fun and dazzle us all!

Variegated Threads for Quilters – Oh, the Wonderful Variations of You

Variegated Thread on a purple and pink fabric art quilt

Adding Possibilities to Your Fabric Art Projects with Variegated Threads

Of all the things you need to create a sewing project, thread is the second most important – fabric being the first.  This is really great for me, because of all the different things that make up a sewing project, thread is my very favorite.

I’m like a kid with a new box of crayons every time I open my thread boxes.  And, if you think I have trouble passing by other notions, thread is the straw that breaks this camel’s back.

Two rows of different variegated threads on different sized spools - beautiful, vibrant colors

Variegated threads = endless possibilities

When you go into any quilt store they have racks of the most gorgeous thread colors ever!  And they’re always coming up with new and better types of thread.

A Thread to Rule Them All

Of all the choices available to me, my very favorite are variegated threads.

The “variegated” part of the name comes from the color variations on each spool.  Some variegated threads come with only two-tone variations, others have as many as ten different colors fading back and forth.

These threads are fairly new in the quilting world, so the options available in this category are more numerous every time I go to the quilt store.

The girls actually had to pry some spools out of my hand on Wednesday, and physically drag me away from the thread displays.  They very logically told me I had nothing to use these particular colors on at the moment – and I had too much other stuff to do – before I could come up with a project that would utilize these threads.

I’d like to know what logic has to do with anything when you’re in love.

Four variegated thread spools in blues and pinks

These are all great color blends that work well on a surprising variety of projects and color schemes.  Second spool from the end is the turquoise/lavender variegated blend I managed to snag the other day!

However, since I’m supposedly the voice of reason and common sense (because I’m the Mom you know, and therefore the most mature – ha! – and still setting an example), I reluctantly put those gorgeous spools back.

I did manage to get one spool that’s variegated in soft turquoises and lavenders – which will work beautifully with the mermaid quilt I’m making. Also, since I sew with turquoise and purple a great deal, I’ll be able to use it on different projects as well.

What Variegated Threads Cost

Knowing how much I love these threads, you’re probably assuming that I have a plethora of them in my thread boxes.  Sadly, this is not the case because variegated threads are fairly pricey.

Think of variegated threads as being the “1 percenters” of the thread world, and metallic variegated threads as the “1 percent of the 1 percenters.”

So I’m very careful that what I buy is within my means.

Summer and spring, pink, yellow, and purple colored variegated threads

These are my spring and summer collection – although I have also used these bright and attractive colors on fantasy panels, and to top-stitch quilt my one and only Jinny Beyer beauty.

My advice to you is to be very sparing with how many variegated thread spools you purchase, and think carefully before you buy.

One good rule of thumb is that a new spool has to be usable in at least 3 different projects that you’re thinking of.  If I can’t match it to 3 things, then, as much as I hate not to, I don’t purchase it.  Of course the exception is if a thread is perfect for a large and elaborate project – like my mermaid quilt.

Due to this rule of mine, I mostly have:

  • Autumn themed spools (because I’m always sewing autumn themed projects)
  • Some Christmas themed spools
  • Two-toned spools where one color is white (these work on a surprising number of projects)
  • Metallic variegated threads (because I also love metallic threads, so I double my buck-bang)

3 orange and yellow variegated thread spools

My three favorite “autumnal” variegated threads – these have made their presence known in probably 15 different projects over the last 3 years.

Many variegated threads can also cross “theme lines”.  For instance, my orange/yellow blends can be used in autumn projects, sunset projects, and flower appliques.

Also, these threads come on different sized spools.  If I’m only going to be using it occasionally, I buy the smallest spool available, but frequent use spools, like autumn themes, I buy in the largest spools available.

Available Types of Variegated Threads

Remember Forrest Gump’s famous line: “Life is like a box of chocolates; you never know what you’re going to get.

This is the reason I am so enthralled by variegated threads – even though you can see some of the different colors on the spool, you never know exactly what it’s going to look like till you sew with it.  It’s a surprise every time.

Not only are there color variations on a single spool, there are different types of variegated threads on the market these days, which is totally awesome!

How to Use Variegated Threads

Due to the expense and because of their beauty, I never use variegated threads for regular seam sewing.  Variegated threads are made to be noticed, so my advice would be to use them where they can be easily seen:

  • Top stitch quilting
  • Panel outlining
  • And appliqueing

I especially like to use variegated thread when I’m appliqueing with a satin stitch.  The tighter the satin stitch, the more your variegated thread will shine, because only then can the variations in the colors truly be appreciated.

Variegated thread is also one of those rare items where brand and thread quality is of secondary importance.  If you’re going to use variegated thread, then use it for the color and how it compliments your project – not by how expensive the spool is.

Water Lily Summer Table Topper - variegated thread example

This is one instance where variegated thread really, really shows up.  We liked this project.  Then we added the dragonfly appliques and the variegated thread stitching.  Now, we love this table topper.

Bright autumn table topper with variegated thread highlights

This is a perfect example of how variegated threads can take you to the next level.  This particular table topper was an experiment – we used all scrap materials, and leftover batting pieces.  When we had it together, it was really nice.  Then we decided to do the seam stitching with thick variegated thread.  We discovered that not only did it look fantastic – but that it was the way to make these leaf table toppers.  Incidentally, this item sold out within a few months…not bad for an experimental design!

With that being said, these are some of the brands that I have used:

1.     Amann Group-Mettler

They carry a nice line in Silk Finish Multis with spools from 100yds. – 500yds.

2.     YLI Corp.  

This is made in Rock Hill, S.C.  This is their 100% cotton quilting thread with 500m a spool so it lasts almost forever.  And yes, those are my autumn spools.

3.     King Tut Superior Threads

Also 500yds/spool.  They’re made in Japan and are great to sew with.

4.     Coats

They’re carrying some 200yd. spools for machine embroidery, but they work great in regular sewing machines as well.

5.     Isacord

They come on those bigger green spools that are bell shaped and hold 1000m/spool so make sure you’ve got a lot of projects you can use that particular color on.

If you remember to use these threads as the icing on the cake, rather than the cake itself, you’re projects will really shine and the extra expense will be well worth it.

Two neon toned variegated threads - multiple bright primary colors

I honestly don’t know which spools of variegated thread in these pictures belong to which brands – the labels come off easily with these threads, and I forget.

Oak leaves on an autumn quilted panel

Bonus Tip!  Variegated threads can also be used for blending in.  Although you can’t see it, this bright autumn tree panel was heavily quilted with variegated thread in the top stitching line.  

All That Glitters is…Metallic Thread

Quilted mermaid with a treasure chest in a coral reef panel

A Comprehensive Guide to Working With Metallic Threads

Metallic threads are a wonderful, if frequently frustrating, addition to the world of quilting.  Here we’ll talk about:

  • Why we love metallic thread
  • How to overcome the problems metallic threads cause
  • And what types are available

The Science behind Glitter…and Metallic Threads

As all you fashionable ladies know, adding accessories to your fancy outfits can take an ensemble from nice to great in one fell swoop.

If your accessories glitter, that’s even better!

A little glitz really adds a LOT of bang for your buck.  A gold necklace can take a black sweater from austere to rich, or a string of pearls can soften up a business suit.

Some of this is the human appreciation for beauty.  Some of it might be the added perception of value – if it glitters, it must be worth more.  I tend to think that a lot of it is the child within all of us, reaching out for something sparkly.

However it works, just know that most people enjoy sparkles, glitz, and glitter.

Quilted mermaid with a treasure chest in a coral reef panel

This picture of our mermaid in a tropical sea represents why we sew with metallic thread.  The glitz and glitter can create an incredible feeling of 3-dimensional life when working with 2-dimensional mediums.  The question is: “How do I achieve these results?”

Metallic threads are the quilting world’s glittery accessories, and they provide the exact same kind of instant love and attraction for quilters and non-quilters alike.

Metallics aren’t appropriate for every project, but it’s amazing how many places you can add them. And, just like your fashionable bling, they focus the eye, take your project up a bunch of notches, and make others “ooh” and “ahh” over the amazing talent of you.

The Problem with Metallic Threads 

I don’t believe that “no good deed goes unpunished” but I do believe that for every wonderful thing in a quilter’s life – there is a downside.

  • Sewing machines make sewing 100 times easier – until they break down
  • Velvet adds texture and depth to a project – but you can’t iron on it
  • Metallic threads are beautiful – but they are very challenging to sew with

Sewing with metallic threads can drive you zazbatt, because they have an annoying tendency to break, or strip out in the needle’s eye.

I first tried sewing with these sparkly threads about 5 years ago, and I quickly gave it up because they made me want to commit seppuku.

At the time I swore to heaven I would never, ever touch another thread that had a touch of glitz.  However, like all addicts, I eventually got pulled back in because these threads are so very beautiful.  This is where the closet masochism of quilters comes in.

Things in the quilting world had moved on since I’d given up metallic threads, and the new products convinced me to try again.

Different kinds of metallic threads in primary colors

There’s huge variety available to quilters when it comes to choosing the right metallic thread.  From cheap spools that can be found at Walmart, to designer quality only found in quilt stores, there is glitz and glitter available for your budget.

Time, trials, blood, sweat, and tears taught me a few things about using these diva-level beauties, and here is what I learned.  There are two major tricks to handling metallic threads without going entirely insane:

Use the Right Needles

They now make special needles just for metallic threads.  How awesome is that?

Metallic thread needles have been manufactured so that the problem of your thread being stripped as it goes through the eye is greatly reduced.  (I’m not sure how this works, but I sure love the results.)

Some brands of metallic threads are more prone to stripping than others – particularly monofilament metallic – but these needles make the process much more enjoyable.

They’re also widely available, from quilt stores to Walmart.  The most easily available metallic needles are made by SCHMETZ in size 80/12.  You can get needles for metallic threads in various sizes, like any other needle, but I prefer the size 12 needles for my topstitching because they leave smaller holes than the larger ones.

Irridescent purple, gold, and silver holoshimmer metallic thread

These Sulky Holoshimmer threads are the most beautiful metallic threads available today.  However, they are the most difficult to work with.  Do not attempt to use if you are a beginner, or if you don’t deal well with constant breakage in your thread.  

Desperate Times Alternative

Once, when I needed these wonderful metallic needles very badly and the stores were out, a clerk suggested that I try the Jersey needles – also made by SCHMETZ – and surprisingly they work almost as well.  Jersey thread needles are designed to handle slippery fabrics and delicate thread, so I keep a package as back-up.

Proper Bobbin Techniques

The breakage problem with metallic threads can be largely mitigated by working with your bobbin tension and the thread you use in your bobbin.

When I first started sewing seriously I always used the thread I was using in the topstitch line for my bobbin thread, and I almost always left my bobbin tension at its default setting.  I eventually discovered that this is seldom a good idea, and never, ever when you’re sewing with glitzy threads.

*Note: These bobbin rules work for any type of lightweight or monofilament thread, especially invisible thread. 

Finding the Right Bobbin Thread

One nightmare I lived through was using the same metallic thread in the bobbin that I was using on top.  Not only was this a huge waste of this pricy thread – it snarled up within a few inches.

Eye of a fairy quilted with silver metallic thread

Sometimes all you need is a single spot of metallic thread.  On this large panel we used silver metallic thread only in the eyes of the fairy.  This is also a great way to start for beginners – but here’s a tip, loosen up your tension.  If you make a mistake in an eye, and tear the fabric when pulling the stitches, you’ll wreck the entire panel.  (Which might have almost happened with this Sweet Rose quilt – only we don’t admit to it!)

I also found that threads made especially made for bobbins like the Bottom Line threads, didn’t like sewing with the metallic threads.

Neither did Coats thread.

Finally, after a lot of experimentation, I found that for my machines, the best combination was to have a metallic thread on top, and AURIFIL quilting thread in the bobbin.  Since all machines a little different, you will need to experiment with your own on fabric scraps to see what works for you.

The Right Bobbin Tension

Even with the threads right, your metallic thread will still break if you don’t adjust your bobbin tension.

Again, this will vary with each machine, but on mine, the default tension is 4.  To successfully sew with metallic thread, though, I have to lower the bobbin tension to 2.

Play around on a scrap piece of fabric until the threads are pulling evenly through your machine.

Copper and gold metallic thread by Coats

These beautiful colors work well on many different types of projects, and are almost as easy to sew with as normal threads.  

*Side Note on Scrap Experiments:  Your experiments will be useless unless you’re sewing on a scrap that is very similar in texture, fabric, and thickness to the project you’ll be working on.  I try to keep a few scraps from my cutting for experimenting on each project.  For example, if my project has cotton fabric on top and bottom, and 2 layers of batting, then I’ll make my scrap piece the same.  This way you can get a much better idea of how the thread will perform in this instance.

What’s Available in the Wonderful World of Metallic Threads

Quilters have obviously clued into the beauty of metallic threads, since there are now many more brands available, and, as you would expect, they have different applications.

  1. COATS

As of now, Coats carries gold, bronze and silver thread.  Their thread is heavier so that it shows up more when you’re straight stitching.  I use these when I want a very definitive look to my quilting – like when I’m highlighting.

  1. SUPERIOR THREADS

This company now has a large inventory of metallics, and the last time I was in the quilt store, I noticed that they even had some variegated colors.  I’m thinking hard where I can use them so that I can justify buying one or two.  This is a medium weight thread and works well when you have areas where you require heavier quilting like satin stitching.

  1. ULT PAPOS

This thread is made in Japan, and is a nice mid-weight thread.  However, I’ve only found it in the size of Serger spools, and this doesn’t work well on my machine.  You can overcome this irritation by spooling the thread onto an extra bobbin, and then using the bobbin as though it were a topstitch spool.  ULT Papos does make very nice rich colors like royal blue, true red, and Christmas green.

  1. YENMET

This thread also comes from Japan, and comes in smaller spools of 500m.  Once again, it’s a mid-weight thread with lots of rich colors available.

  1. SULKY HOLOSHIMMER

The secret to these threads are in the name – they shimmer because they’ve got lots of tiny iridescent variegations throughout.  I use these when I’m doing fantasy panels like mermaids and fairies.  These threads are my personal favorite because of the amazing colors – but they do have a downside, they break…a lot.  And there’s really nothing to do about it since this is an extremely lightweight thread, and very thin.  I often compare it to tiny strands of tinfoil.  It’s also quite stretchy and so it also strips more easily than the other threads, but if you’re wanting to create an ethereal effect, this is the thread to use.

Coats metallic threads, copper, gold, and silver

Coats Basic Metallic Threads

Large spools of metallic thread in purple, red, green, and blue

A Mix of Metallic Thread Brands

Royal purple thread with flecks of metallic gold thread

Either Yenmet or Ult Papos (the label’s long gone)

Iridescent blue and green variegated metallic thread

Sulky Holoshimmer (this is the thread used on the mermaid)

There may be other manufacturers out there, but these are the ones I’ve found and use all the time.

One Final Note 

No matter which thread you choose to sew with, you will have to dig deep for extra patience.  You can’t zoom along when you sew with these (in fact I recommend setting a low motor speed if your machine has that function), and no matter how careful you are, there will still be more breakage that with regular cotton threads.

I always try to sew with my metallic threads in the early morning, when I’m fresh and my patience meter is full.

Super large spool of red metallic thread

Even though metallics pose a real challenge, I would encourage you to try them, because as I said at the beginning, the bling they provide will take your project from merely great to effortlessly awesome.

 

Running Wild – Black Stallion at Sunset Reflection Quilt

Black stallion running wild against red, orange, and gold sunset backdrop fabric magic quilt

Return of the Black Stallion

Remember the massive horse that charged across the theater of your imagination as a child?  Now he’s back, forever running free on a sunset beach.  Princess YellowBelly’s new black stallion quilt brings the incredible romance of the past together with quilting techniques.

Center your home with a framed picture of a black stallion quilted wall hanging.

You can purchase this item right now!

Powerfully Romantic

For anyone who ever loved the Black Stallion books or movies this is the chance to relive the experience every time you catch a glimpse of our nicely sized (17 ¾” X 22”) fabric art décor piece.

Princess YellowBelly and her friends used a variety of styles and quilting techniques to create this piece:

  1. Silhouette Landscape Quilting

The scene is constructed with fiery orange and yellow quilting material to recreate a sunset beach.

A narrow strand of black material makes a solid beach, setting up the baseline for the black highlights and powerful drama that this piece entails.

  1. Applique Quilting

Both the beach and the black stallion are separate pieces of black fabric that have been appliqued to the gorgeous sunset background of the quilt.

  1. Fractured Quilting

This black stallion quilt features an extra bit of amazing!  A reflection of the horse and sunset is perfectly captured in the water.

This is done using a technique called fractured quilted – where two or more images are cut apart and sewn back together to create the displacement optical illusion.

  1. Fabric Marking Pen Enhancements

The black stallion quilt is made realistic by the addition of fabric pen markings on the horse’s mane and tail.  These carefully replicated markings make the hair on the mane and tail appear to be truly flying free.

  1. Tailored Quilting

Running Wild is quilted in two different sections – and styles.

The top, or single image, is quilted in sun rays and by outlining the black stallion, popping him out of the rest of the quilt.  The bottom, or inverted fractured image, is quilted in uneven concentric circles to replicate rippling water and add to the magically realistic qualities of the black stallion quilt wall hanging.

One-of-a-Kind

Running wild black horse sunset wall hanging quilt

Black stallion running wild against red, orange, and gold sunset backdrop fabric magic quilt

Running wild black stallion on the beach at sunset, black, orange, gold, red fabric art interior wall art

Rippled reflection of black horse running during the sunset

Reflections in water sunset with black horse

Perfect reflection, intricate quilting black horse head reflected

All in all the sunset & black stallion quilt “Running Wild” is a fabric art experience not to be missed.

You can purchase it on our Etsy.com seller platform – Lilies Of Grace – or read more specific product details below.

Buy Now

Bonus!

Princess YellowBelly and her friends (human and magical) love this piece so much that we’re turning it into a pattern and kit.  This will soon be available, keep a sharp eye.

Material & DimensionsCare & DisplayCustom Orders & Layaway

Princess YellowBelly’s black stallion Running Wild panel:

  • Measures exactly 17 ¾” inches wide X 22 inches high
  • Predominant colors are solid black, vibrant orange, fire red, pale yellow, and rich gold
  • Running Wild shows a black horse running along a beach at sunset. His image is “reflected” in the water
  • Is back with true black batik fabric (same as the image of the horse)
  • Running Wild is tagged or named
  • Weighs very little
  • Folds into a surprisingly small and flat package
  • Is a vividly realistic wall art panel

Sunset material is from a collection called “Tuscan Poppies Sunset” and is a batik-quality quilter’s fabric.

The black fabric is solid Kona fabric (sometimes known as true Amish black).

Running Wild is quilted with warm and natural quilter’s cotton batting.

Care & Cleaning

Running Wild is an easy-care piece.

  • Recommended care and upkeep with a lint brush
  • Machine wash (cool, delicate cycle with a gentle detergent) if needed
  • Can be tumble-dried, although air-dry is recommended
  • May be cool-ironed (cotton settings) to remove packing wrinkles. Safe to iron with water or spray-starch

Display Options

We use regular household thumbtacks to secure our fabric art panels for display.  They hold the panel tight and fabric is self-healing, once the tacks are removed the holes will close up again.

If you would prefer to use a hanging or curtain rod to display Running Wild, we offer hanging sleeve options.

Hanging sleeves are only attached upon your order and your selection of your preferred choice –

  • Top Hanging Sleeve for normal hanging
  • Top & Bottom Hanging Sleeve if you would like to weight the panel as well

Hanging sleeves are made of the same material as the backing fabric, and are about four inches wide each (although this can be adjusted to custom requirements).  They are attached under the binding seam line, and are secured with hand stitching to ensure that the seam won’t show through on the front of the panel.

If you would like to discuss customized options, please contact us directly!

Custom Orders

We are always happy to talk about a new piece with your ideas!  If you have an idea you would like to see developed, or if you would like to have us make you something specifically please contact us.

You can talk to us at our Etsy.com shop – or you can use the contact form below to submit your questions & ideas.

Layaway

Sometimes the prices on our artwork can seem a little out-of-reach, which we understand!  We try to charge very reasonable fees, but if you really want Autumn Rondelle, but don’t think you can afford it in one go, please contact us via the form at the bottom and request a custom layaway program.

Buy Now
Thanks for getting all the way to bottom of this piece!  Please let us know what you think in the comments below, or contact us.

*Photographer’s Note: Due to the intense oranges and red of the background sunset fabric, Running Wild proved difficult to photograph accurately as the color confused the camera’s sensors. 

While every effort was made to clearly capture the colors of this fabric art wall hanging, some color clarity was lost in the photographic process.  The sunset-to-black ratio is much clearer and true-color than the photographs represent.

We can answer your questions more quickly if we know the general topic of your inquiry or comment - thanks for obliging 🙂

Highlighting with Black Thread

golden brown eye of an owl, fierce with black highlights

Have you ever looked at a spool of solid black thread and either thought it was the most boring thing in the world, or that it could only have limited applications?  After all, how much can you really do with solid black thread?  It turns out there’s a lot of things that black thread is useful for, starting with knowing how to highlight with black thread.

I both love and hate sewing with black thread, and for exactly the same reason – it’s almost impossible to see when you’re sewing on black material.

Tips for Sewing with Black Thread

When you’re sewing with black thread, and especially if you’re sewing black on black:

  1. Make sure you have a really good light shining right where you’re sewing.

This is why I hate sewing black on black – it’s almost impossible to see.  The great thing about sewing black on black is that it’s impossible for others to see as well.

I can see the mistakes I’m making as I’m sewing, but as soon as my project is out from under the machine, they pretty much vanish.  And you can bet that others, who don’t know what to look for, will never find it.  Your reputation for excellence will survive intact. J

For me, at least, the sewing machine light is not bright enough for black on black work.  Of course, I suffer from bad eyesight, so the sewing machine light isn’t enough for many projects.

I definitely recommend finding a secondary light source for your sewing space and especially focused on your sewing machine foot.

You can find LED lights with bendable necks (or throats or whatever those long bendy things are) and magnetic pads that will adhere to your machine so you can put the light exactly where you need it.

I like these lights for short time use only as they tend to get in the way if you just leave them there all the time.  Hence the magnetic pad.

  1. Use highlighting techniques to bring visual enhancement to plain areas

Black thread can also be very dramatic when you want it to be seen.

This thread is fabulous for highlighting areas that are not visually exciting on their own, or for quilting designs onto large areas that need quilting but have no seams to follow.  For example, I used black thread to quilt “veins” onto my dragon wings.  The wings were much too large to leave alone, yet any traditional quilting design was going to take away from the overall design, so I quilted in the veins like they were always supposed to be there and it looks great!

  1. Pop up, add depth, define dimensions, and create mystery by highlighting with black thread

Because black is such a dramatic and definitive color, it’s really useful for making certain aspects of your quilt pop out visually.

For instance, I used black around the eyes of my stained glass owl – it makes the eyes appear much deeper and mysterious.

Black also adds depth to a flat surface.  If your project has trees or walls, windows, doors, or rocks, simply highlight with black thread on the same side of each figure.  This will appear as shadows to the human eye and your piece will instantly gain depth and visual interest.

Using Scraps for Your Experimentation

Never, ever try something new on your project.

Instead, practice saving your scrap materials.  Then you can experiment to your heart’s delight and your finished project will look like: “oh, of course, she was perfect!”

This is especially true when you’re edging something; an applique, attaching a trim, or defining an edge in a piece of landscape quilting.

Experiment a little with what width looks best for the effect you’re striving for.  I like to use a satin stitch (it’s the buttonhole stitch on my machine) and then I play with how wide I want it.

Barb doesn’t like a really tight satin stitch, so she only sews hers with about half the thickness that I do, and it looks great.  I like to make mine much more obvious, so no matter how wide I stitch, I always make it real tight. Play with it, on a piece of scrap material, and figure out what works best for you and your project.

Final Thoughts

My favorite black thread of all time is Aurifil #2692.  It comes on an orange spool of 1300 meters, and lasts quite a long time.

Just remember that black adds a lot of depth and definition to any project, and you can make it pop or disappear – whichever you like.  So experiment with it and enjoy yourself.

golden brown eye of an owl, fierce with black highlights

A combination of grosgrain ribbon, embroidery thread, and a highlighting stitch with black thread makes this owl’s eyes pop big time!  

 

Multi-colored applique feathers edged with black thread on an owl panel

Here a combination of embroidery thread and black stitching thread serve to define and separate the feathers on the owl’s wing, as well as giving depth to the overall piece.

 

Black camel silhouette against rich starry night sky

Sometimes highlighting with black thread is a very subtle endeavor.  The reins on the camels, for example, are made with black thread in a very fine satin stitch.  The result is nearly invisible, yet the camels without the reins looked ridiculous!

 

Thick black thread satin stitching on a Christmas table topper

Highlighting can also become very dramatic.  The black thread serves to define dimensions, offer pop-up value, and make the duller colors of this Christmas table topper glow.

 

Some enhancements are much too fine to do with fabric.  This spider web heart was made using a thick stitch of black thread.

 

Black silhouettes of woodland plants and vines

Black thread can be combined with other highlighting elements.  Our Small Hearts panel uses a combination of highlighting with black thread and highlighting with a black marking pen to create the multi-dimensional, romantic woodland setting.